The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“On Saturday last, the new pottery (formerly the copper
works)[5] near this town was opened, and a plentiful
entertainment given by Mr. Worthington, the proprietor, to
upwards of sixty persons employed in the manufactory, who were
preceded by a military band, from the works along the docks
and through Castle Street. Two colours were displayed on the
occasion, one representing a distant view of the manufactory.
We have the pleasure to say, that these works are very likely
to succeed, from their extent and situation, and will be of
infinite advantage to the merchants of Liverpool.”
The first productions of the Herculaneum works were confined to
blue-printed ware, in which dinner, toilet, tea, and coffee services,
punch-bowls, mugs, and jugs, were the principal articles made; and
cream-coloured ware, which was then so fashionable. At a later date,
terra-cotta vases and other articles were produced, as were also
biscuit vases, figures, &c.
Of the cream-coloured ware, or Queen’s ware, the examples which have
come under my notice are of remarkably fine quality, and are as well
and carefully potted as those of any other manufactory, scarcely even
excepting Wedgwood’s own. In colour they are of a somewhat darker shade
than Wedgwood’s and Mayer’s, and not of so yellow a cast as the Leeds
ware. The collector will find some good examples of this ware in the
Mayer Museum at Liverpool, which will serve for comparison with other
makes. The Herculaneum works also produced some remarkably good jugs
with bas-relief figures, foliage, &c, of extremely fine and hard body.
These pieces, which rival Turner’s celebrated jugs, are marked with the
name HERCULANEUM in small capitals, impressed.
In terra-cotta, vases of good design, as well as other pieces, were
produced. In the possession of Mr. Beard is a remarkably fine pair
of covered vases, with boldly-modelled heads of satyrs for handles,
and festoons on the sides. The vases are black, and the heads
and festoons gilt. This fine pair is marked HERCULANEUM. In Mr.
Rathbone’s collection is a wine cooler of vine leaves and grapes, of
similar design, and of the same reddish colour as some of Wedgwood’s
terra-cotta coolers. It is marked HERCULANEUM, impressed on the bottom.
In Blue Printing the Herculaneum Works produced many remarkably good
patterns, and the earthenware bearing those patterns was of a fine
hard and compact body, of excellent glaze, and the potting remarkably
good and skilful. Some services had open-work basket rims, of similar
design to those produced by Davenport. One service bore views of the
principal towns in England, the names of which were printed in blue
on the bottoms of each piece, which mostly bear the impressed mark of
HERCULANEUM in large capitals. Batt printing was also practised.
[Illustration: CAMBRIDGE
Fig. 35.]
Public-domain text, read in full here on John Shaqi.
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