The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In 1800 the manufactory was considerably increased, and again in 1806
it received many additions. At this time, in order to augment the
working capital, the number of proprietors was increased. Early in the
present century china was made at these works, and continued to be
produced, though not to a large extent, to the time of the close of
the works. Of the china produced several examples may be seen in the
Mayer museum. In 1822 it was ordered by proprietors at a meeting held
in that year, that “to give publicity and identity to the china and
earthenware manufactured by the Herculaneum Pottery Company, the words
‘Herculaneum Pottery’ be stamped or marked on some conspicuous part of
all china and earthenware made and manufactured at the manufactory.”
In 1833 the company was dissolved, and the property sold for £25,000
to Mr. Ambrose Lace, who leased the premises to Thomas Case and James
Mort, who are said to have carried on the business for about three
years only. By these gentlemen, it is said, the mark of the “Liver” was
introduced. About 1836 the firm of Case, Mort & Co. was succeeded by
that of Mort and Simpson, who continued the manufactory until its close
in 1841. During the time the works were carried on by Case, Mort & Co.,
a fine dinner-service, of which a portion is in Mr. Mayer’s museum, was
made for the corporation of Liverpool. It was blue-printed, and had on
each piece the arms of Liverpool carefully engraved, and emblazoned.
In the same collection is part of another service of somewhat similar
description, but with the earlier mark of HERCULANEUM impressed. The
marks used at the Herculaneum Works at different periods appear to have
been the word
HERCULANEUM HERCULANEUM
impressed in large capitals. The same in small capitals, also
impressed. These have generally a number attached, which, of course,
is simply the mark of the workman or of the pattern. The same name
also occasionally occurs in blue printing. A crown, with the word
Herculaneum in a curve, above it, impressed. A crown within a garter,
bearing the word Herculaneum; impressed. (Figs. 36 and 37.) The words
in capitals, impressed,
HERCULANEUM
POTTERY.
[Illustration: HERCULANEUM
Fig. 36.]
[Illustration: HERCULANEUM
Fig. 37.]
The crest of the borough of Liverpool, a bird called the _Liver_, or
_Lever_, with wings expanded, and bearing its beak a sprig of the plant
liverwort. Of this mark of the crest three varieties are shown on Figs.
38 to 40; they are all impressed in the ware. An anchor, with and
without the word LIVERPOOL in a curve, above it (Fig. 41), impressed.
Another, and more imposing looking mark, has the name of the pattern
(“PEKIN PALM,” for instance) within a wreath of foliage, surmounted
with the crest of Liverpool, on an heraldic wreath.
[Illustration: Figs. 38 to 40.]
[Illustration: LIVERPOOL.
Fig. 41.]
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