The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Mr. Goodwin, a potter of Lane End, in Staffordshire, in 1851,
established a pottery at Seacombe, on the opposite shore of the Mersey
from Liverpool. He brought his workmen from Staffordshire, and fired
his first oven in June, 1852. Of this pottery, now closed, Mr. Mayer
thus wrote in 1855: “The ware manufactured here at present consists
principally of earthenware and stoneware, chiefly of blue and colour
printed ware, and, lately, parian has been made of a good quality.
Here has been introduced one of the throwing tables for making hollow
ware, cups, bowls, &c., by machinery, with the aid of which four
boys who are quite unacquainted with the art can, in a day or two’s
practice, produce as much work as by the old process of hand throwing
could formerly be made by five men in the same space of time. The
success of the undertaking may be considered fairly established,
and a very large and increasing trade is now carried on with the
east and west coast of South America, Turkey, California, and India.
So admirably arranged are the buildings on this work that all the
different parts work together. The ware after being fired is carried
direct from the ovens into the bisque warehouse which adjoins them, and
on the other side the coal is conveyed along a railway and deposited
close to the mouths of the kilns. The whole may be looked upon as a
model for all future buildings and arrangements for pot works. Indeed,
so perfect is it that it has been visited by several manufacturers from
France and Germany, who, by permission of Mr. Goodwin, have taken plans
of it as a guide for new works to be erected in those countries.”
CHAPTER III.
Derby--Cock-pit Hill--Mayer--Heath--Derby China--Andrew
Planché--Duesbury and Heath--William Duesbury--Purchase of the
Chelsea Works--Weekly Bills--Show Rooms in London--Sales by
Candle--Changes in Proprietorship--Bloor--Locker--Stevenson
& Co.--Hancock--Painters and Modellers--Spengler--Coffee--Askew
--Billingsley--Pinxton--Nantgarw --Swansea--Other Artists
employed at Derby--Cocker and Whitaker’s China Works, &c., &c.
DERBY.
Public-domain text, read in full here on John Shaqi.
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