The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“Porcelain began about the year 1750. There is only one
manufactory, which employs about seventy people. The clay is not
of equal fineness with the foreign, but the workmanship exceeds
it. The arts of drawing and engraving have much improved within
these last thirty years. The improvements of the porcelain have
kept pace with these. They adhere to nature in their designs,
to which the Chinese have not attained. A dessert service of
one hundred and twenty pieces was recently fabricated here for
the Prince of Wales. The spot upon which this elegant building
stands, which is internally replete with taste and utility, was
once the freehold of my family. It cost £35, but the purchaser,
my grandfather’s brother, being unable to raise more than £28,
mortgaged it for £7. Infirmity, age, and poverty, obliged him
to neglect the interest, when, in 1743, it fell into the hands
of my father as heir-at-law, who, being neither able nor anxious
to redeem it, conveyed away his right to the mortgagee for a
guinea.”
And again, in his MS. “History of the Hutton Family,” 1799,[8] he says,
speaking of John Hutton:--
“He was the man who purchased the house east of St. Mary’s
Bridge, now the China Works, for £35, but being master of only
£28, mortgaged the premises to Mr. Crompton, a banker, for
the other seven. He becoming old and poor, and inheriting the
supineness of the Hutton family, suffered the trifling interest
to remain unpaid till the mortgagee seized the premises.
The freehold in 1743 fell into the hands of my father, as
heir-at-law, who assigned over his interest to Mr. Crompton for
a guinea.”
The manufactory was situated on the Nottingham Road, near St. Mary’s
Bridge, in a locality then named Suthrick, or Southwark. On its site,
in 1845–6, the Roman Catholic nunnery of St. Marie, designed by Pugin,
was erected, but this has now, like the China Works, become “a thing
of the past”--the nunnery having been purchased by the Midland Railway
Company, and taken down in 1863. Hutton’s remark as to this site being
his patrimony, is very curious, and adds an increased interest to the
locality. The very premises he speaks of were those first occupied for
the making of porcelain, and, curiously enough, they were opposite to
Lombe’s silk-mill, from which they were divided by the road and the
broad expanse of water of the River Derwent.
Public-domain text, read in full here on John Shaqi.
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