The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The works at Chelsea were not finally discontinued until the year 1784,
when they were destroyed by Mr. Duesbury, the kilns and every part
of the work pulled down, and what was available sent down to Derby.
The removal of the kilns, and the work of demolition, was entrusted
to Robert Boyer, the painter, &c., the old and faithful servant whose
name appears in the “weekly bills” above given; and when his work was
done he removed to Derby at twenty-five shillings per week in place
of a guinea, with house rent free, and fire as heretofore.[16] It is
also worthy of remark that Mr. Duesbury purchased the Bow business, and
owned the pottery at Pedlar’s Acre, at Lambeth, the rents of which he
assigned in 1781.
[Illustration: Fig. 46.]
Periodical sales of stock were held in London by Mr. Duesbury, and
judging by the catalogues of “Sales by Auction” by Messrs. Christie
and Ansell, of Pall Mall, and “Sales by Candle,” by Mr. Hunter, the
articles sent up for the purpose were excellent examples of the
manufacture, and just such as were likely to be sought after by the
traders--the “chinamen” of London. The descriptions of the goods were
of much the same character as in the “list” referred to, with this
addition, that in the late catalogues the price (the trade price
possibly) was attached to each article. I have by me the priced
catalogues of several years’ sales, and it is highly interesting to
examine them, and to see the prices the different articles realised
at the sales. They give, perhaps, one of the best insights into the
porcelain trade of that period of anything I have seen. A few items,
taken at random, from some of these catalogues, will be useful to
the collector. The “Catalogue of an elegant and extensive assortment
of Derby and Chelsea Porcelaine” for sale on May 10th, 1781, and
four following days, has a long and full title-page, and occupies
thirty-two octavo pages. The company were invited to this sale by
cards, of which the following is a copy:--
“At Mess^{rs} Christie and Ansell’s great Room, next _Cumberland
House, Pall Mall_, will be sold by Auction on _Tuesday_ next,
the 7th of _May_ 1782, and the Four following Days, an elegant
and extensive Assortment of the DERBY and CHELSEA PORCELAIN,
consisting of TABLE and DESERT SERVICES, TEA and COFFEE
EQUIPAGES, BISCUIT ORNAMENTS, &c., &c.
“To be viewed on _Saturday_ the 4th of _May_, and till the Sale
(Sunday excepted), which will begin each Day at 12 o’clock.
“N.B.--Mr. _Duesbury_ flatters himself the Produce of his
Manufactory this Year will be found far superior to any Thing
he has ever yet exhibited, and therefore humbly hopes he shall
experience the wonted generous Countenance of the Nobility, and
his Friends in general, whose Patronage (with the highest Sense
of Gratitude) he will be ever studious to deserve.”
Public-domain text, read in full here on John Shaqi.
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