The Certainty of a Future Life in Mars: Being the Posthumous Papers of Bradford Torrey DoddGratacap, L. P. (Louis Pope)
Science
The Certainty of a Future Life in Mars: Being the Posthumous Papers of Bradford Torrey Dodd
Gratacap, L. P. (Louis Pope)
Mars (Planet) -- Fiction; Science fiction
"I turned instinctively to my guide. He stood statue-like beside me,
with a stealing pallor crossing his face, and then, the doors of the
apartment swung open, and loud voices were heard crying, 'The Peril
comes. Stand forward. To the Hills!'
"Panic, that nameless associated mental terror of the unknown and the
impending, which on Earth spreads fever-like through multitudes, had
arisen amongst the Martians, and hurrying crowds were hastening in a
wild retreat from the City to the hills.
"All thought of the Council, of my errand, or of the new relation I had
been graciously accorded, disappeared from my mind. Frightened by the
sudden premonition of destruction, bewildered by the torrent of new
sensations, and even yet only half confident that my existence in the
new world was altogether real, I was impelled to spring forward.
Reaching the doors, hands shot out around me, and I was swept in the
tide of running forms.
"It was a living stream of manifold complexity. Only for one moment did
I lose consciousness. The next I was struggling to escape from the
spreading tentacles of this involved current. I leaped to the projection
of a low pedestal, upon which an unfinished construction or group of
statues was in progress. Holding my exposed position for an instant, I
wrenched myself clear of the pulsating throngs, and succeeded in gaining
the low summit above me. Here I was free to look around me. My guide was
gone, the Council House was lost to view; I was alone. Below passed the
surging crowd, made up of youths and girls, with few older men or women,
many beautiful, all expressing the Martian distinction, but now
strangely bewildered and uncontrolled. It was a reversed emotional
picture from that buoyant, frenzied throng that a few weeks ago carried
me into the Hall of the Patenta.
"Faces were turned toward the sky, and hands, as if in ejaculation, were
waved up and down, or thrust in significant indices toward that fatal
blurred blot of splendor in the heavens. I followed their direction. The
approaching nebula had grown sensibly since an hour ago. It glittered,
the size of a shield, and a light coruscation seemed emanating from its
edges. The faces of the multitude were justified. The mass above us was
a train of celestial missiles, hurling toward Mars. Its contact seemed
more and more imminent. I felt a nameless terror. The thought of
isolation in this new world, the unknown awfulness of this planetary
disturbance, the sudden extinction of the hopes that were feeding my
heart with a new life, and the forecasting of the impossible agonies of
universal death in this great, strange place I had so wonderfully
entered, overcame me. I fell sobbing to the glassy floor on which I was
standing. It was again a new proof of my assumption of the ecstatic
nature of these children of light and music, impulse and inspiration.
Public-domain text, read in full here on John Shaqi.
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