The Chaldean account of Genesis : $b Containing the description of the creation, the fall of man, the deluge, the tower of Babel, the times of the patriarchsSmith, George
Religion
The Chaldean account of Genesis : $b Containing the description of the creation, the fall of man, the deluge, the tower of Babel, the times of the patriarchs
The story of the descent of Istar into Hades is one of the most
beautiful myths in the Assyrian inscriptions; it has, however, received
so much attention, and been so fully commented upon by various
scholars, that little need be said on the subject here.
It is evident that we are dealing with the same goddess as the Istar,
daughter of Anu, in the Izdubar legends, although she is here called
daughter of Sin (the moon-god).
The description of the region of Hades is most graphic, and vividly
portrays the sufferings of the prisoners there. Atsu-sunamir, created
by Hea to deliver Istar, is described as a composite animal, half bitch
and half man, with more than one head, and corresponds with the two
dogs of the Hindu Rig-Veda, which have four eyes and broad snouts, and
guard the road to the abode of Yama the king of the departed. They are
also said to move among men, feasting on their lives, as the messengers
of Yama; and as the offspring of Saramâ, the dawn, they are called
Sârameyas, which Prof. Max Müller compares with the Greek Hermês. At
any rate, the same conception of a dog of the dawn which guards the
approach to the realm of Hades is found in the Greek Kerberos with
his fifty heads (or three heads, according to later writers), as well
as in the dog of Geryon named Orthros or “the dawn,” who seems to be
identical with the Vedic Vritra the demon of night. It would appear,
therefore, that in the primitive mythology both of the Hindus and of
the Accadians the “fleet” dawn was likened to a dog, sometimes regarded
as carrying men away to the dark under-world, sometimes as bringing
light to the under-world itself.
The latter part of the tablet is somewhat obscure, but refers to the
custom of lamenting for Dumuzi or Tammuz.
FOOTNOTES:
[18] Another copy of the legend reads “lover.”
[19] Literally, “a thing hung up.”
[20] Or “bull of heaven.” It was a constellation, perhaps Taurus.
[21] “Joy” and “Seduction.”
[22] A great necropolis seems to have existed in Cutha.
[23] Literally “precious stones.”
[24] That is, “Go forth, cause it to be light!”
[25] Literally “the man who is a female dog,” or “lion.”
[26] Literally “stone stakes” or “cones,” the symbols of the goddess
Ashêrah. Cf. 1 Kings vii. 15-22.
[27] Tillili, the Accadian name of Kharimat, is here used. Tillili was
the wife of the Sun-god Alala symbolized by the eagle, which we are
told was “the symbol of the southern” or “meridian sun.” What Sir H.
Rawlinson calls the monotheistic party among the Babylonians resolved
Tillili into Anatu and Alala into Anu.
CHAPTER XV.
ILLNESS AND WANDERINGS OF IZDUBAR.
Hea-bani and the trees.—Illness of Izdubar.—Death of Hea-bani.—Journey
of Izdubar.—His dream.—Scorpion men.—The Desert of Mas.—Siduri
and Sabitu.—Nes-Hea the pilot.—Water of death.—Mua.—The
conversation.—Xisuthrus.
Public-domain text, read in full here on John Shaqi.
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