The Chalice Of Courage: A Romance of ColoradoBrady, Cyrus Townsend
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The Chalice Of Courage: A Romance of Colorado
Brady, Cyrus Townsend
Colorado -- Fiction; Love stories; Western stories
She had been thankful that no one had disturbed her, but now she wished
for the man. In her helplessness she thought of his resourcefulness with
eagerness. The man however did not appear and there was nothing for her
to do but to wait for him. Taking one of the blankets from the bed, she
sat down and drew it across her knees and took stock of the room.
The cabin was built of logs, the room was large, perhaps twelve by
twenty feet, with one side completely taken up by the stone fireplace;
there were two windows, one on either side of the outer door which
opened toward the southwest. The walls were unplastered save in the
chinks between the rough hewn logs of which it was made. Over the
fireplace and around on one side ran a rude shelf covered with books.
She had no opportunity to examine them, although later she would become
familiar with every one of them.
Into the walls on the other side were driven wooden pegs; from some of
them hung a pair of snow shoes, a heavy Winchester rifle, fishing tackle
and other necessary wilderness paraphernalia. On the puncheon floor wolf
and bear skins were spread. In one corner against the wall again were
piled several splendid pairs of horns from the mountain sheep.
The furniture consisted of the single bed or berth in which she had
slept, built against the wall in one of the corners, a rude table on
which were writing materials and some books. A row of curtained shelves,
evidently made of small boxes and surmounted by a mirror, occupied
another space. There were two or three chairs, the handiwork of the
owner, comfortable enough in spite of their rude construction. On some
other pegs hung a slicker and a sou'wester, a fur overcoat, a fur cap
and other rough clothes; a pair of heavy boots stood by the fireplace.
On another shelf there were a number of scientific instruments the
nature of which she could not determine, although she could see that
they were all in a beautiful state of preservation.
There was plenty of rude comfort in the room which was excessively
mannish. In fact there was nothing anywhere which in any way spoke of
the existence of woman--except a picture in a small rough wooden frame
which stood on the table before which she sat down. The picture was of a
handsome woman--naturally Enid Maitland saw that before anything else;
she would not have been a woman if that had not engaged her attention
more forcibly than any other fact in the room. She picked it up and
studied it long and earnestly, quite unconscious of the reason for her
interest, and yet a certain uneasy feeling might have warned her of what
was toward in her bosom.
This young woman had not yet had time to get her bearings, she had not
been able to realize all the circumstances of her adventure; so soon as
she did so she would know that into her life a man had come and whatever
the course of that life might be in the future, he would never again be
out of it.
Public-domain text, read in full here on John Shaqi.
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