The challenge of the dead : $b A vision of the war and the life of the common soldier in France, seen two years afterwards between August and November, 1920Graham, Stephen
History
The challenge of the dead : $b A vision of the war and the life of the common soldier in France, seen two years afterwards between August and November, 1920
Graham, Stephen
World War, 1914-1918
As we all know now the enemy went too far, and had not the men to man
his greatly extended lines or the labour to reorganise the new rear. He
had spent his energy too lavishly, and Foch had all that was necessary,
the one extra punch which sent the German reeling even in the moment
which should have held his greatest pride. The fourth round was won by
Foch and the Americans. The fifth by the British when they rolled the
foe back from Amiens. After that Fritz was a lost man and floundered
backward homeward, playing only for time, and only on his defensive,
with all the triumph gone, hope gone, faith gone, and only punishment
and humiliation ahead of him. In but a short while after the most
terrible defeats it could be said that the Allies had won the war.
The land o'er which the great advance was made is quiet enough now. To
the towns and cities of the back areas the circus is coming for the
first time since the war. After the leaping from trapeze to trapeze in
mid-air, after the walking the tight rope, and the facing wild beasts in
their cages, and other feats of daring, the clowns come tumbling into
the arena. So it is also in life. There is one all in Turkey-red riding
backward on an ass, telling all and sundry how much more clever he is
than the genuine heroes they have been clapping. He gains in the long
run more applause than the tight-rope dancer. Then two funny Columbines
with air-blown bladders pretend to fight and whack at one another with
resounding boshes, clumps and raps, laying one another out, panting for
breath, exhausting themselves, almost expiring, and yet weakly hitting
out with their quaint weapons. And the populace forgets the thrill of
the spectacle of the man in the lions' cage making wild beasts jump
through hoops of fire. The clowns are to its taste. The scene-shifters
are quietly preparing the arena for the next heroic item--"A Roman
spectacle when the gladiators meet"--and the clowns divert public
attention from the carpentering of such a show until all is ready for
the heroes to come out. A fourth clown all the while strikes heroic
attitudes and mimics the after-the-war celebrities with apt
buffoonery--now he is Wilson with the fourteen points, now he is
D'Annunzio in mock heroic pose saying "J'y suis, j'y reste," now Lloyd
George making the Germans pay by letting the Germans off paying. The
malice of the buffoons provokes great mirth and takes the attention of
the crowd so well that the heroes are almost forgotten, Tom Wildwest
glowering from one of the exits and handling his rope and running noose
as if he'd like to lasso the whole bunch of clowns and pull them out of
the arena and the public gaze.
Public-domain text, read in full here on John Shaqi.
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