The challenge of the dead : $b A vision of the war and the life of the common soldier in France, seen two years afterwards between August and November, 1920Graham, Stephen
History
The challenge of the dead : $b A vision of the war and the life of the common soldier in France, seen two years afterwards between August and November, 1920
Graham, Stephen
World War, 1914-1918
The most enduring moment of Armistice Day will be the silence at eleven,
the moment of communion. In America in many cities work ceased at eleven
but every one was instructed to make the utmost noise possible. Thus a
year ago at New Orleans the writer of these lines listened to an
infernal din of train whistles, factory syrens, steam horns and hooters,
clashing church-bells, roaring Klaxon-horns, hammering of anvils,
squeaking of trumpets, and shouts of people. And the thought inevitably
came--the West does not understand. It did not suffer as we did and came
into a share in it all too late. Only the end of a small war can express
itself in noise; the end of such an one as this in Europe was silence.
And a fitting monument of silence is the Cenotaph, the empty tomb.
England is very happy in the Cenotaph, much more happy than in the Edith
Cavell statue, which leaves out the last words of the kind nurse, does
not say "_Patriotism is not enough_," but writes "Brussels Dawn"
instead, making her a kindler of anger against a foe rather than a
salver of wounds. The impersonal cenotaph, without any Cross or weeping
Christ, or rampant lions, without even the pronoun "our" which some
wished to see upon it--"Our glorious dead," instead of "The glorious
dead," can stand for all who laid down their lives baptised or
unbaptised, white or coloured, friend or foe. For even Germans had to
die that Europe might be free.
So in leaving the fields of the dead and the beginning and the end of
the war and Paris itself, you come naturally to the Cenotaph, the stone
which gathers to itself all the experience and all that was sacred in
the war--the altar at the summit of a thousand weary steps. It stands in
the midst of England's great street of Government, 'twixt Nelson and the
Abbey, and says to all who pass--"Go and do thou likewise." To all the
selfish, "_We were not selfish_;" to the clamorous, "_We are silent, yet
we speak_;" to the strident and ambitious, to the self-seekers and the
cynical, to those who live as though there had been no sacrifice, to
those who sneer at the ideal, "_We suffered and died that you might have
your life, that all might have more life; we suffered and died for the
good of the whole!_"
When Millerand was elected President of France his supporters insisted
always that they had found a man whose public life would be worthy of
France _and of her dead_. France's ideal is that through the sacrifice
of her sons France should become "greater yet." Our men did not die that
England might become greater, but that Europe might be saved from
tyranny and greed, and it is for us and our public men to see that their
sacrifice shall never seem to grow barren.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account