Clergy -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- England -- Fiction
“Yes; ever since you played to us at Chartries she has been trying to
learn the ‘Merry Peasant,’” she said. “She is not getting on very well;
but art is long, is it not. So is life. Too long, I think, sometimes.
But, my dear, the rest of them! They talk about fiscal problems and what
they’ve shot. Even Frank appears to be vaguely interested in free trade
or free food or free drinks or something, which is deplorable of him. I
expect him here immediately. My bedroom is the only place where one can
be free from those intolerable bores. There are three, three cabinet
ministers in the house! Really, politics ought to be considered a
dangerous habit, like morphia. In fact, there is a very great
resemblance between them. They are both drugs that send me to sleep, and
the habit grows on one. You have to take more and more, and the result
is death of the intellect, which is quite as lamentable as death of the
body, and renders you far more tiresome to other people. For, after all,
when one’s body is dead one is put away. But people whose intellect is
dead are not put away at all; they pervade society. There is no one in
the world so lost as the intellectually lost. How big hell must be!
Talking of that, how is your father? What a bear!”
Martin had settled himself in a rose-coloured chair, and gave a great
shout of laughter, suddenly checked.
“Quite well,” he said. “He always is.”
“Yes, that is so like him,” said she. “But, really, have you any strain
of insanity in your very extraordinary family? My darlings, did I kick
you? Oh, Sahara, naughty! All that book, and I hadn’t read it.
_Commandez du thé, Hortense._ So convenient, she doesn’t know a word of
English. Did you ever see such a murderish-looking woman? But she can
make hats out of a tooth-brush and some waste-paper. Some day she will
kill me for my diamonds, and find out afterwards that they are paste.
Then she will be sorry, and so shall I. Do attend, monster. Can you tell
me why Helen, head over ears in love with him,--that was why I brought
them together,--should behave like that? Shutting herself up with the
bear and that dreadful aunt of yours who plays Patience. And Frank
thinks, in some confused way, that it is so beautiful. He looks so funny
when Helen’s name is mentioned, rather like a widower, who hears a
hymn-tune in four sharps on Sunday evening. So frightfully
old-fashioned, that sort of thing. Those two find a sort of spiritual
thrill in standing a hundred miles apart and shouting ‘Caro mio! O
Carissima!’ to each other at the tops of their voices. I can’t bear that
sort of Platonic love. Yes, you Challoners are all mad. If Becky Sharp
lived with Savonarola in a grand piano, you would find a little
Challoner crying on the drawing-room carpet one morning.”
“Why Becky Sharp?” he inquired, parenthetically.
“Only to add a little _joie-de-vivre_. No imputation on your morals.”
Public-domain text, read in full here on John Shaqi.
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