Clergy -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- England -- Fiction
Later, Martin played, there was Bridge, and Lord Sunningdale, as usual,
went to sleep, and, on awaking, revoked, subsequently explaining the
revoke to the satisfaction of everybody but his partner, who remained
dissatisfied to the last. Women took bed-candles, men gravitated to the
smoking-room, though, since every one had previously smoked in the
drawing-room, this seemed unnecessary. But, the fact is one without
exception, men left alone leave drawing-rooms.
Soon, again, after the long day’s shoot, the smoking-room yawned itself
to bed, and cabinet ministers, the traveller, and the astronomer being
gone, Frank was left alone with Martin. There was no design in the
matter,--both hated going to bed as much as both detested getting up,
but they were neither of them sorry to have the opportunity of more
talk. Frank had got up from his chair on the last exit, took a
whiskey-and-soda, and moved to the fireplace.
“Lady Sunningdale is extraordinarily clever,” he remarked, “but I can no
more discuss anything with her than I could with a dragon-fly. She is
always darting.”
Martin laughed.
“Go on, then,” he said.
Frank sat down.
“Are you determined, Martin?” he asked.
“I think so. I don’t see what else I can do.”
“I asked you a question before dinner, which you didn’t have time to
answer. Is it as much to you as Chopin?”
“Why do you repeat that?” asked Martin. “It does not seem to me apt. How
can I make such a comparison?”
“Easily, I should have thought.”
Again Martin’s likeness to his father started to his face.
“You say, ‘easily,’” he said. “Take this, then. What would you do if in
order to get Helen you had to tell a real, mortal, mean lie, the sort of
lie that would make you blush in the dark?”
“It’s like that, is it?”
“Yes; just like that. I must. I can’t tell you why. I don’t know
whether I know, except as regards what I said in Lady Sunningdale’s
room, that, if in anything, in worship above all is beauty necessary.
That is true, but it is only a sort of symbol of what I feel. Other
people feel differently; they are less materialistic than I, and
ugliness doesn’t get in their way. But if you happen to be gifted or
cursed with the artistic temperament--Lord, how priggish that sounds!--I
don’t see how you can help demanding beauty in the service of what is
sublime.”
“I never knew you thought about these things,” said Frank, rather
lamely.
Martin snapped his fingers impatiently.
“More fool you, old chap,” said he. “All the same, I don’t see why you
should have. So I’ll apologise. Probably you thought that because one
has high spirits, a really fine capacity for playing the fool, and also
a certain leaning towards the piano, that I never took anything
seriously. Nor did I till lately. In any case, this is really so much
more my concern than anybody’s. I’ve got to lead my own life, not to be
dragged about like a sheep. And I must.”
He paused a moment.
Public-domain text, read in full here on John Shaqi.
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