Clergy -- England -- Fiction; England -- Social life and customs -- Fiction; Families -- England -- Fiction
“Ah, I don’t say that. Perhaps you will be divinely, ecstatically
discontented. Happiness is rather a bovine quality, I always think. It
implies not wanting. Any one with imagination must always want. Yes.
Dear me, I came here to say something, and I forget what--I have said a
good deal, but not it. Dearest Stella, do you forgive me? At least, for
my own creature comfort, I want you to forgive me; but essentially I
don’t care, as I know I am right.”
“No, I don’t forgive you,” said the girl, “but I thank you.”
Lady Sunningdale struggled to her feet out of her very low chair.
“That is sweet of you. Yes, Suez, my darling, we are going home to
din-din and Sahara. Ah, I remember. I want you and your mother to join
us at Cannes for a fortnight at Easter. Sunningdale’s villa is really
quite comfortable, and you can look at the Mediterranean and meditate.
Ask her to send me a line about it, but come yourself in any case. The
Southern sun always melts my brains, and liquid wisdom flows from my
lips in practically unlimited quantities. Why don’t we all live at
Cannes, among the palms and that sort of thing. If you can’t come, I
shall ask Martin; but I don’t mean to have you together. You will be
quite enough together afterwards. Dear me, how screaming Martin will be
as the master of a house! Good-bye, darling Stella. Yes, pray, turn up
the lights, otherwise I shall crash my way through priceless furniture
and tread on Suez Canal.”
CHAPTER XIV
Karl Rusoff had experienced a good deal of inward anxiety, which he was
very careful to keep entirely to himself, for several days before
Martin’s concert, for the thought of it, as the day got near, had
agitated and excited the latter to the point of making him lose his
sleep and his appetite. Though Karl knew quite well that an artist does
his best, as a rule, under the spell of excitement, more, that any
notable achievement can hardly be compassed without it, yet in the
present case Martin himself was naturally so highly strung and his
excitement had become acute so many hours before he was to make his
appearance that his master could not help silently wondering whether he
could stand the strain of it till the day came. At other times again
Karl, knowing Martin’s serene, splendid health, found consolation in
telling himself that the tighter and more tense his nerves got the more
wonderful would his playing be. Even during the last week or two he had
made such an enormous advance in his general grasp that Karl knew that
he himself would be bitterly disappointed if this extraordinary youth
did not on his very first appearance legitimately and justifiably take
musical London by storm. At the same time he knew that he himself would
give a very deep sigh of relief when Martin had got through, say, the
first three minutes of his recital. That safely past, he was sure that
the mere feel of the familiar notes would occupy him to the exclusion
of all agitation.
Public-domain text, read in full here on John Shaqi.
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