But by a gigantic effort she controlled herself, and remained
motionless, pallid as a spectre, but with a forced smile on her lips,
and with unparalleled audacity made a little sign to one of her female
friends, which plainly meant, “This is, indeed, something unexpected.”
All her mind was concentrated to preserve a calm and unmoved aspect. The
singing of the choir seemed to die away, the strong odor of the incense
almost overpowered her, and she felt that unless the service soon came
to an end, she must fall insensible from her chair. At last the priest
turned again to the congregation and droned out the _Ita missa est_,
and all was over. Diana grasped the arm of her maid and forced her away,
without saying a word. As she reached home, a servant ran up to her with
a face upon which agitation was strongly painted.
“Ah, mademoiselle,” gasped he, “such a frightful calamity. Your father
and mother are expecting you; it is really too terrible.”
Diana hastened to obey the summons. Her father and mother were seated
near each other, evidently in deep distress. She went towards them, and
the Marquis, drawing her to him, pressed her against his heart.
“Poor child! My dear daughter!” murmured he, “you are all that is left
to us now.”
Their son had died, and the sad news had been brought to the Chateau
while Diana was at Mass. By her brother’s death she had succeeded to a
princely fortune, and would now be one of the richest heiresses for many
a mile round. Had this event happened but a week before, her marriage to
Norbert would have met with no opposition from his father, and she would
never have plunged into this abyss of crime. It was more than the irony
of fate; it was the manifest punishment of an angry Divinity. She shed
no tear for her brother’s death. Her thoughts were all firmly fixed on
Norbert, and that fearful announcement made in the house of God rang
still in her ears. What could be the meaning of this sudden arrangement,
and why had the marriage been so suddenly decided on?
Public-domain text, read in full here on John Shaqi.
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