Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
"Dick--you remember Dick, my father's old young friend--the
Dick that turned up on tramp that day you three cousins
met--tells me that in comedy I should do well. You shall
hear, directly, that it is quite possible that I may change
the buskin for the sock--which he says is the classical way
of putting it. He tells me that an expressive face--mine
can screw up or be pulled out like an indiarubber face--a
tall figure, and a fairly good voice, are wanted first of
all; and that I have all three. But you will see directly
that poor Dick is not quite a disinterested person. Still,
he may be right, and I must say that if I am to go on the
stage, I would rather make them laugh than cry. It must
be much more pleasant to broaden their faces with smiles
than to stiffen them with terror at the sight of the
blood-stained dagger.
"The stage seems the only profession open to a girl like
me, if I am to have a profession at all--which you will
understand directly is no longer absolutely necessary.
I was born behind the footlights, Dick was born in the
sawdust; so there seems a natural fitness. However, until
I knew you all, my acquaintances were these folk; I have
never learned to think of myself as belonging to the world
at all. To my young imagination the world consisted of
a great many people, whose only occupation was to
scrape money together in order to buy seats at a theatre.
Some made things, some painted things, some built things,
some contrived things, some wrote things; they were
extremely industrious, because their industry brought them
tickets. The shops, I imagined, were only established and
furnished for the purpose of providing things wanted by the
show folk. I have never, in fact, got rid of that feeling.
The show was everything; all the world existed only to be
dramatized. Even the Church, you see, could be put upon the
stage. So, as I said, the stage is the only profession for
me, if I am to choose a profession.
"There is another thing. I suppose I got this idea, too,
from my up-bringing. It is that to be an actress is the
one honourable career for a woman. Not to be a great
actress--but just an actress, that's all. I believe that
the people who really belong to this profession from one
generation to another, don't really care very much about
being great actors; they are just content to belong to
the profession, just as most doctors have no ambition to
become great doctors, but are just content with being in
the profession. In acting it is the new-comer who wants to
be great. There is something comfortable and satisfying in
a position of humble utility. I may possibly become the
housemaid of farce, with a black daub upon my face.
Public-domain text, read in full here on John Shaqi.
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