Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
"I have come here this afternoon," the doctor went on, "as a friend of
both mothers. On the part of Lady Woodroffe, I have absolutely nothing
to propose. She puts the case unreservedly in your hands. Whatever
steps you take, she will accept. It remains, therefore, for you,
madam, to do what you think best."
"I want my boy," she repeated doggedly. "So long as I get him, I don't
care what happens."
"That is, of course, the one feeling which underlies everything. I
will, if you like, see him in your name."
"Dick was going to write to him as the son of Anthony Woodroffe," said
Molly.
"I know his proposals. We have to consider, however, the possible
effect which the discovery of the truth will produce upon this
unfortunate--most unfortunate--young man."
"Why is he unfortunate?" asked his mother jealously. "He will be
restored to his own mother."
"I am going to tell you why. Meantime, you will agree with me that
it is most important that the communication of the truth must not
embitter this young man, at the outset, against his mother."
"No, no. He must not be set against me."
"Quite so. Dick proposes, I understand, to address a letter to him
as the son of the late Mr. Anthony Woodroffe--better known as John
Anthony--and inviting him to pay certain liabilities. As to the wisdom
of that step, I have no doubt. It can produce no other effect than to
fill him with rage and bitterness against all concerned, all--every
one--without exception."
He shook a warning finger at one after the other.
"But he must know," said Molly.
"Perhaps. In that case the subject must be approached with the
greatest delicacy. Dick's method is to begin with a bludgeon."
"We must think of his mother first," said Molly. "We have been working
all along for his mother."
"My dear young lady, you do not understand the situation. Because
we must think first of his mother, and for no other reason, we must
advance with caution. Had we not to consider the mother, there would
be no reason for delicacy at all. And now, if you will not interrupt,
I will go on."
The warning was now necessary, because the time had arrived for the
final appeal. If that failed, anything might happen.
"We must consider, dear madam, the character, in the first place,
of your son, and in the next place, the conditions of his education
and position. As regards his character, he has inherited the artistic
nature of his father, to begin with. That is shown in everything he
does in his music and musical composition."
"I have heard him sing a song of his own composition," said Molly. "It
had neither meaning nor melody; he said that it only appealed to the
higher culture."
"Once more"--but he spoke in vain--"I say, then, that he has inherited
his father's artistic nature. He sings and plays; he paints----"
"Landscapes of impossible colour," said Molly.
"And writes verses. He has a fine taste in the newer arts, such as
decoration, bookbinding, furniture----"
"And champagne."
Public-domain text, read in full here on John Shaqi.
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