Debt, Imprisonment for -- Fiction; London (England) -- History -- 18th century -- Fiction
Another lodger in our house, a man whose face inspired me with horror,
so full of selfish passion was it, was a Captain Dunquerque. With him
were his wife and children. It was of the children, poor things, that
our Esther spoke when she said there were some in the place poorer
than themselves; for the wife and children starved, while the captain,
their father, ate and drank his fill. A gloomy man, as well as selfish,
who reviled the fate which he had brought upon himself. Yet for all
his reviling, he spared himself nothing so that his children might
have something. I am glad that this bad man has little to do with my
history. Another lodger, who had the garret at the top, was Solomon
Stallabras, the poet.
It is very well known that the profession of letters, of all the
trades, callings, and conditions of men, is the most precarious and
the most miserable. I doubt, indeed, whether that ought to be called
a profession which requires no training, no colleges or schools, no
degree, and no diploma. Other professions are, in a way, independent:
the barrister doth not court, though he may depend upon, the favour
of attorneys; the rector of the parish doth not ask the farmers to
support him, but takes the tithes to which he is entitled; the poor
author, however, is obliged to receive of his publisher whatever is
offered, nor is there any corporate body or guild of authors by whom
the situation of the poet may be considered and his condition improved.
Alone among learned men, the author is doomed to perpetual dependence
and poverty. Indeed, when one considers it, scarce anything else is
to be expected, for, in becoming an author, a man is so vain as to
expect that to him will be granted what has been given to no man except
Shakespeare--a continual flow of strength, spirits, ingenuity, wit,
and dexterity, so as to sustain, without diminution or relaxation, the
rapid production of works for the delight of the world. I say rapid,
because the books are bought by publishers at a low rate, though they
are sold to the public at large sums. And, if we think of it, scarce
any author produces more than one or two books which please the world.
Therefore, when the fountain runs dry, whither is that poor author to
turn? The public will have none of him; his publisher will have none
of him; there remains, it is true, one hope, and that unworthy, to get
subscriptions for a volume which he will never produce, because he will
have eaten up beforehand the money paid for it before it is written.
Public-domain text, read in full here on John Shaqi.
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