The "Characters" of Jean de La BruyèreLa Bruyère, Jean de
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The "Characters" of Jean de La Bruyère
La Bruyère, Jean de
Character sketches -- Early works to 1800; Characters and characteristics
(32.) When a man is appointed to a new post he is inundated with
praises, which flood the courtyards, the chapel, overflow the grand
staircase, the vestibules, the galleries, and all the rooms of the
palace;[401] he has quite enough of them, and can no longer bear it.
There are not two different opinions about him; those of envy and
jealousy are the same as those of adulation; every one is carried away
by the raging torrent which forces a person to say what he thinks of
such a man, or what he does not think of him, and often to commend a
man of whom he has no knowledge. If such a man has any intelligence,
merit, or valour, he becomes in one moment a genius of the first
order, a hero, a demi-god; he is so extravagantly flattered in all
the portraits painted of him that he appears disagreeably ugly when
compared with any of them; it is impossible for him ever to reach the
point to which servility and adulation would have him rise; he blushes
at his own reputation. But let him not be so firmly established in
the post in which he has been placed as people thought he was, and
the world will without difficulty entertain another opinion. If his
downfall be complete, then the very men who were instrumental in
raising him so high by their applause and praise are quite ready to
overwhelm him with the greatest contempt; I mean, there are none who
will despise him more, blame him with greater acrimony, or deny him
with more contumely than those very men who were most impassioned in
speaking well of him.[402]
(33.) It may be justly said that it is easier to get appointed to an
eminent and difficult post than to keep it.
(34.) We see men fallen from a high estate for those very faults for
which they were appointed to it.
(35.) At court there are two ways of dismissing or discharging servants
and dependants; to be angry with them, or to make them so angry with us
that they leave us of their own accord.
(36.) Courtiers speak well of a man for two reasons: firstly, that he
may know they have commended him; and secondly, that he may say the
same of them.
(37.) It is as dangerous at court to make any advances as it is
embarrassing not to make them.
(38.) There are some people who, if they do not know the name or the
face of a man, make this a pretence for laughing at him. They ask who
that man is; it is not Rousseau, Fabry, or La Couture,[403] for then
they would know him.
(39.) I am told so many bad things of this man, and see so few in him,
that I begin to suspect he has some merit which is so vexatious that it
eclipses the merit of others.
(40.) You are an honest man,[404] and do not make it your business
either to please or displease the favourites. You are merely attached
to your master and to your duty; you are a lost man.
Public-domain text, read in full here on John Shaqi.
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