Phædo has sunken eyes, a reddish complexion, a lean body and an emaciated countenance; he sleeps very little, and his slumbers are light; he is absent-minded, pensive, and, with some intelligence, looks like a dolt; he forgets to say what he knows or to speak about those incidents with which he is acquainted; if he says something now and then, he does it badly; he thinks he bores those persons to whom he addresses himself, and therefore tells his story briefly but coldly, so that he is never listened to nor taken notice of, for he makes nobody laugh. He praises and laughs at other personsʼ jests, is of their opinions, and runs and flies to render them some small services; he is over polite, and flatters and waits on them; he is close about his own affairs, and does not always tell the truth about them; he is very peculiar,[320] scrupulous, and timorous. He steps lightly and softly, and seems afraid to tread the ground; he walks with his eyes downward, and dares not raise them to face the passers-by; he never joins in any conversation, but places himself behind the person who speaks; picks up by stealth all that has been said, and withdraws if any one looks at him. He does not take up any room nor fill a place anywhere; he walks about with his arms close to his body, his hat over his eyes that he may not be seen, and wraps and folds himself up in his cloak. There is no street nor gallery so crowded and filled with people, but he finds a way to get through without jostling, and to steal along unperceived. If they beg him to sit down, he seats himself on the edge of a chair, and talks in a low voice and not very distinctly; he freely expresses, however, his opinion on public affairs, is angry with the age, and but indifferently pleased with the cabinet and the ministers; he seldom opens his mouth but to reply; he coughs and blows his nose with his hat before his face, he almost expectorates on himself, and does not sneeze till he is alone, or if it does happen, no one hears it, so that no one has to say “God bless you.” He is poor.[321] [Illustration] VII. OF THE TOWN.[322] (1.) People in Paris, without giving any notice beforehand, and as if it were some public assignation, meet every evening on the Cours[323] or in the Tuileries, to stare around and criticise one another. They cannot dispense with those very persons whom they do not like and whom they deride. They wait for one another in these public walks,[324] and they examine one another; carriages, horses, liveries, coats of arms, nothing escapes their gaze; everything is looked at keenly or maliciously, and they respect or contemn the persons they meet according to the greater or lesser splendour of their equipages.