And here, as we throw wide open the shutters of front rooms in the old Hotel Royal, and look out upon the deep ravine that divides the city, and across to the castle-crowned hills, and down upon the monument of Walter Scott, just over the way, our cool and quiet ones become eagerly enthusiastic, and the enthusiasts grow wild. We are sure we want to stay here a month; we want to fly out to the nearest circulating library and get all of Scott’s novels at once; we want to hurry our dinner, that we may go and explore this wonderful and picturesque old place. The girl whose outcropping desire to buy things was unanimously nipped in the bud, ventures to say she “must have a plaid—a shawl, a necktie, something, _anything_, that is plaid,” and receives no unsympathetic reply. For the moment, struggling Ireland’s forgotten, and all that is not purely American in us, is altogether and unanimously Scotch. In this mood we are not slow in finding our way to the streets, believing that acquaintance with details will enhance our first impression of the imposing picturesqueness of the place. Our starting point is the foot of Sir Walter’s marble monument, which rises slender and graceful two hundred feet in air. The statues in the niches represent characters in his books, the “Lady of the Lake,” the “Last Minstrel,” and “Meg Merrilies,” breaking the sapling over Lucy Bertram’s head. We had thought to pass by Abbotsford, having indulged ourselves with Ayr, but here we find the question recurring, “Can not we take the time on the way to London to see the home, especially the study, of Scott—to go to Dryburgh Abbey and stand beside his grave; and on the same excursion see the Abbey of Melrose?” Forced to leave the question unanswered, but secretly resolving to do it, we go as straight as we can, asking many questions of the guide by the way, to the Castle of Edinburgh, which frowns down from the precipice on which it stands with a grim aspect ill-suited to the present time.