At the representation of this play the king, who did not know the trap which was laid for him, was present, with his queen and the whole court; Hamlet sitting attentively near him to observe his looks. The play began with a conversation between Gonzago and his wife, in which the lady made many protestations of love, and of never marrying a second husband, if she should outlive Gonzago; wishing she might be accursed if ever she took a second husband, and adding that no woman ever did so but those wicked women who kill their first husbands. Hamlet observed the king, his uncle, change color at this expression, and that it was as bad as wormwood both to him and to the queen. But when Lucianus, according to the story, came to poison Gonzago sleeping in the garden, the strong resemblance which it bore to his own wicked act upon the late king, his brother, whom he had poisoned in his garden, so struck upon the conscience of this usurper, that he was unable to sit out the rest of the play, but on a sudden calling for lights to his chamber, and affecting or partly feeling a sudden sickness, he abruptly left the theatre. The king being departed, the play was given over. Now Hamlet had seen enough to be satisfied that the words of the ghost were true, and no illusion; and in a fit of gaiety, like that which comes over a man who suddenly has some great doubt or scruple resolved, he swore to Horatio that he would take the ghost’s word for a thousand pounds. But before he could make up his resolution as to what measure of revenge he should take, now he was certainly informed that his uncle was his father’s murderer, he was sent for by the queen, his mother, to a private conference in her closet. It was by desire of the king that the queen sent for Hamlet, that she might signify to her son how much his late behavior had displeased them both; and the king, wishing to know all that passed at that conference, and thinking that the too partial report of a mother might let slip some part of Hamlet’s words, which it might much import the king to know, Polonius, the old counselor of state, was ordered to plant himself behind the hangings in the queen’s closet, where he might, unseen, hear all that passed. This artifice was particularly adapted to the disposition of Polonius, who was a man grown old in crooked maxims and policies of state, and delighted to get at the knowledge of matters in an indirect and cunning way.