The Chautauquan, Vol. 03, February 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 03, February 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
Once in the city, and this impression of the extreme of artificial life
deepens. Everything—streets, dwellings, shops, squares, fountains,
monuments—has been made as fine as it well could be; but all has been
made, nothing has been let to grow; and in the monotony of construction
one longs to see something that reveals individuality in its maker
or itself. Humanity has the same stamp, and it is only the intense
vivacity common to its various national types that gives the pleasing
sense of variety. Dress, habit, bearing, manners, are singularly
after one style, a better one in some respects, we will admit, than
we have as yet found time to cultivate. In minor manners this is most
noticeable. The ready “good morning,” and “thank you,” are on the lips
of every servant and child, and the prompt “beg pardon” reconciles one
to an occasional rudeness or lack of care. It is only fair to say,
however, that in a crowd where an American might tread on one’s toes
and never say a word, yet be most careful not to repeat the offence,
the Frenchman would politely “beg pardon,” and while replacing the
lifted hat, tread on the unlucky toes again. Still, there is something
flattering to vanity in the easy deference that makes the waiter help
you on with your overcoat with an air that thanks you for permitting
him the honor, and the wheels of the traveler’s life do run more
smoothly for the lubricating of French good manners. How mightily it
helps the sales in the inevitable round of shopping that beguiles all
womankind in Paris,—except of course, Chautauquans, good and true.
American tradesmen might well learn a lesson here, and by practice
take to themselves many a reluctant dollar that now stays pocket-safe,
because of the gruffness or superciliousness of some airy clerk. But of
all places, Paris needs no such addition as courtesy to the attractive
seductions which her tasteful displays of beautiful things offer to the
foreign purse. Her shop windows alone would draw one’s money up from
the depths of the pocket, through the bewitchment of the eye. No matter
how small the window, no matter how hideous the name of the shop—and
these are of all names, from “Good Angel” to “Good Devil”—the very most
and best is made of the goods to charm the eye and cause the passer’s
step to halt. Halting, he is sure to enter; entering, he is sure to
buy, and lucky the man or woman who escapes with a few lone rattling
sous as _pour boire_ for the cabman whom he hails to drive him home.
Public-domain text, read in full here on John Shaqi.
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