The Chautauquan, Vol. 03, May 1883Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 03, May 1883
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
If one desires to use his time in Rome to the best advantage let
him have nothing to do with half-educated guides, whose information
is often untrustworthy. There are promenade lectures given by
well-informed English archæologists, who have spent years in Rome,
making a special study of the ruins and modern excavations. The
Chautauqua quartette were fortunate in securing the services of Mr. S.
Russell Forbes, whose recent book, entitled “Rambles in Rome,” gains
for him the gratitude of all those who have felt the need of just such
a printed guide. Our first morning was spent at the Roman Forum and
Colosseum, under Mr. Forbes’s delightful leadership. Starting from the
temple of Castor and Pollux we went over the whole ground of the Forum,
pausing before the mound which covers the ashes of the great Cæsar,
seeing the rostrum from which Mark Antony made his funeral oration,
and also the rostrum where Cicero delivered his famous speeches, and
on which, after his assassination, his head and hands were nailed,
“that everybody might see them in the very place where he had formerly
harangued with so much vehemence.” We walked over the identical
pavement used in the days when Rome was mistress of the world, and
saw ruts in the stone made by chariot wheels, when England was but a
barbarous isle. The Flavian Amphitheater, known to us as the Colosseum,
received this name from the colossal statue of Nero, that stood near,
and it was first spoken of in this way by Venerable Bede, of England.
Byron is responsible for the mis-spelling of the word, which he writes
_Coliseum_. Mr. Forbes thinks there is no evidence that Christians
suffered in this arena, with the exception of St. Ignatius, Bishop of
Antioch. The cross which formerly stood in the center is now removed,
and the excavations have revealed three parallel curving walls, which
were put up by the Emperor Commodus, who boasted that he could kill an
hundred lions with as many javelins. Standing in safety on one of these
high walls the beasts were led out to meet the cruel, murderous spears
cast at them with unerring aim by this brutal emperor. From the upper
gallery one can look down on what Richter calls “the crater of this
burnt out volcano” and imagine the vast Amphitheater in the year of its
dedication, A. D. 80, when the games continued for one hundred days,
and 5,000 beasts were slain, while from 80,000 to 100,000 spectators
crowded these now deserted spaces. Visiting the Colosseum by moonlight
a solemn hush broods over the place where was once such abounding,
riotous life, the roar of wounded and infuriated wild beasts, mingling
with the death-groans of gladiators and martyrs. The silence is broken
by the musical monotone of a tolling church bell, suggesting the new
light which had just risen on the world when this amphitheater was
in process of construction, and which has been the chief force in
extinguishing the desire for such brutal and bestial exhibitions.
Public-domain text, read in full here on John Shaqi.
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