forced along with the progress of the country, backward—as the cattle went into the cave of Cacus—and with despairing gaze turned toward the receding past. “The country is ruined past redemption; it is ruined in the spirit and character of the people,” cried Randolph, when he found that the United States would not turn back, and he said he would leave the country if he could sell out and knew where to go. Hence, we find Randolph going through his varied political career, protesting like Hamlet: “The times are out of joint. O, cursed spite, That ever I was born to set them right.” He was the last man to set anything right, having been born wrong himself. A more delicate, high-strung, untuned human instrument was never set up; it was, moreover, set in a frame out of order in every part. A skin as thin and delicate as a girl’s; nerves all on the surface; a remarkably precocious intellect of poetic cast; proud and affectionate in disposition, and “a spice of the devil in his temper,” as he said. “A spice!” This was a mild term (a thing Randolph was not often chargeable with using) to apply to a person who at the age of four years would fly into such a passion as to swoon away and remain for some time unconscious. Every function of his organism seemed to be influenced by his mood; his mood responded like a thermometer to his environment; disappointment or mental disturbance would upset the whole machine. Thus natural poetry, sweetness and affection were “like sweet bells jangled, out of tune and harsh;” and body and mind became in harmony morbid—almost the only harmony in his organization. Life, at its best, jars harshly on such natures; but it dealt with the unfortunate Randolph with a severity that might have appalled and broken down a strong and healthy nature. Nothing but physical and moral courage as extraordinary as the rest of his qualities could have carried him through sixty years of pent-up purgatory. While an infant he lost his father; and his mother (“the only human being who ever knew me”) was taken away when he was fifteen. The sensitive, irritable, delicate child was left to “rough it” alone. A succession of blows destroyed the dearest object of his life—the transmission of the family name and estates. One brother, Theodorick, died three years after his mother (1791), and three years later the eldest brother, Richard, the pride and hope of the family. The perpetuation of the line rested then on John and Richard’s two infant sons. John Randolph nursed these carefully to manhood, only to see one of them become a hopeless madman from disappointment in love, and the other sicken and die with consumption.