The Chautauquan, Vol. 04, January 1884: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 04, January 1884: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
The interview of Louis the Eleventh with the astrologer not only
reveals the superstition of the king but also places in sharp contrast
the fifteenth and sixteenth centuries which were cut asunder, as it
were, with a sword of light. The old astrologer’s apostrophe to the art
of printing, which was then invented, is worthy of a place in these
historic references: “Believe me that, in considering the consequences
of this invention, I read with as certain augury as by any combination
of the heavenly bodies, the most awful and portentous changes. When
I reflect with what slow and limited supplies the stream of science
hath hitherto descended to us; how difficult to be obtained by those
most ardent in its search; how certain to be neglected by all who
regard their ease; how liable to be diverted, or altogether dried up,
by the invasion of barbarism; can I look forward without wonder and
astonishment to the lot of a succeeding generation, on which knowledge
will descend like the first and second rain, uninterrupted, unabated,
unbounded; fertilizing some grounds, and overflowing others; changing
the whole form of social life; establishing and overthrowing religions;
erecting and destroying kingdoms.” “Hold,” said Louis, “shall these
changes come in our time?” “No, my royal brother,” replied the
astrologer, “this invention may be likened to a young tree, which is
now newly planted, but shall, in succeeding generations, bear fruit as
fatal, yet as precious, as that of the Garden of Eden; the knowledge,
namely, of good and evil.”
Anne of Geierstein is to a certain extent a sequel to Quentin Durward.
The time of the story is four years later; the scene is laid in the
mountains of Switzerland. The romance reveals the power of the Vehmic
tribunal of Westphalia, a secret organization, whose bloody executions
gave to the east of Germany the name of the Red Land. It portrays
faithfully the heroic character of the Swiss people who preferred peace
to war, but accepted war when the issue meant liberty or servitude.
Two travelers, apparently English merchants, are benighted near the
ruined castle of Geierstein. They are hospitably entertained, and after
a few days’ delay, they join a Swiss embassy on its way to the Court
of Charles, Duke of Burgundy, the mission of which embassy was to ask
redress for injuries done to the Helvetian Cantons. On their journey
they meet with a warlike adventure in which the English travelers have
opportunity to display their courage and judgment. They are imprisoned
and released; the elder has the misfortune of falling into the hands of
the Vehmic court, and the rare good fortune of being released; and so
the story moves on as it were from one ambuscade to another, until they
reach the court and army of the proud Duke of Burgundy.
Public-domain text, read in full here on John Shaqi.
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