The Chautauquan, Vol. 04, November 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 04, November 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
Cedric, Rowena, Isaac, Rebecca, Athelstane and Ivanhoe depart their
several ways from the tournament, but are captured and taken to Front
de Bœuf’s castle. Cedric escapes in the guise of a monk. The castle is
stormed, and now occurs one of the most dramatic pictures in the pages
of romantic literature, destined to reveal to all time the undying
hate between the Saxon and the Norman. A Saxon woman, by name Ulrica,
had lived for years in Front de Bœuf’s castle. She had seen her father
and seven brothers killed in defending their home, but she “remained
to administer ignominiously to the murderers of her family. She used
the seductions of her beauty to arm the son against the father; she
heated drunken revelry into murderous broil, and stained with a
parricide the banqueting hall of the conquerors.” She had sold body
and soul to obtain revenge for Norman cruelties; and now, grown old
in servitude, incensed by the contempt of her masters, she determines
upon a deed, which will make the ears of men tingle while the name of
Saxon is remembered. She fires the castle and appears on a turret in
the guise of one of the ancient furies, yelling forth a war-song. “Her
long, dishevelled grey hair flows back from her uncovered head; the
inebriated delight of gratified vengeance contends in her eyes with the
fire of insanity; and she brandishes the distaff which she holds in her
hand, as if she were one of the fatal sisters, who spin and abridge
the thread of human life. At length, with a terrific crash, the whole
turret gives way, and she perishes in the flames which consume her
tyrant.”
There is another historic feature of the times emphasized in this
romance: the oppression of the Jews in England during these cruel and
adventurous times. The character of the race is vividly portrayed in
Isaac of York, in which masterly delineation Scott seems truer to
nature than Shakspere in the character of Shylock. Rebecca, his noble
and beautiful daughter, is the type of all that is pure and womanly.
Her words have the eloquence of the poets and prophets of old: “Know
proud knight,” she says, “we number names amongst us to which your
boasted Northern nobility is as the gourd compared with the cedar—names
that ascend far back to those high times when the Divine Presence shook
the mercy seat between the cherubim, and which derive their splendor
from no earthly prince, but from the awful Voice, which bade their
fathers be nearest of the congregation to the vision; such were the
princes of the house of Jacob; now such no more. They are trampled down
like the shorn grass, and mixed with the mire of the ways; yet there
are those among them who shame not such high descent, and of such shall
be the daughter of Isaac, the son of Adonikam. Farewell! I envy not
thy blood-won honors; I envy not thy barbarous descent from northern
heathens; I envy not thy faith, which is ever in thy mouth, but never
in thy heart nor in thy practice.”
Public-domain text, read in full here on John Shaqi.
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