The Chautauquan, Vol. 04, November 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 04, November 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
In 1785 the celebrated automatic chess player was first exhibited in
London, having previously been shown in various cities of Germany and
France. It had been invented about fifteen years before by a Hungarian
noble, the Baron von Kempelen, who had until then, however, declined to
permit its exhibition in public. Having witnessed some experiments in
magnetism by a Frenchman, performed before the Court of Maria Theresa,
Kempelen had observed to the empress that he thought himself able to
construct a piece of mechanism the operations of which would be far
more surprising than the experiments they had witnessed. The curiosity
of the empress was excited, and she exacted a promise from Kempelen to
make the attempt. The result was the automatic chess-player.
The figure was of the size of life, dressed as a Turk, and seated
behind a square piece of cabinet work. It was fixed upon castors, so as
to run over the floor, and satisfy beholders that there was no access
to it from below. On the top, in the center, was a fixed chess-board,
toward which the eyes of the figure were directed. Its right hand and
arm were extended toward the board, and its left, somewhat raised, held
a pipe.
The spectators, having examined the figure, the exhibitor wound up
the machinery, placed the cushion under the arm of the figure, and
challenged any gentleman present to play.
The Turk always chose the white men, and made the first move. The
fingers opened as the hand was extended toward the board, and the piece
was deftly picked up, and removed to the proper square. If a false move
was made by its opponent, it tapped on the table impatiently, replaced
the piece, and claimed the move for itself. If a human player hesitated
long over a move, the Turk tapped sharply on the table.
The mind fails to comprehend any mechanism capable of performing with
such accuracy movements which require knowledge and reflection. Beckman
says indeed that a boy was concealed in the figure, and prompted by the
best chess-player whose services the proprietor could obtain.
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