The Chautauquan, Vol. 04, November 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.Chautauqua Literary and Scientific Circle
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The Chautauquan, Vol. 04, November 1883: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
One of the most delightful books of the season is “Spanish Vistas,”[O]
by Mr. Lathrop. The publishers have given us a genuine _édition de
luxe_, heavy paper, numberless choice illustrations, and beautiful
binding. The book is the joint product of two artists, and if one
wields the quill instead of the pencil he is no less artistic. Two
things are particularly noticeable in Mr. Lathrop’s fine descriptions
of scenery, of architecture, city sights and peasant gatherings: the
skill with which he chooses his point and time of observation, and
his really superior coloring. He knows at what hour the Alhambra will
exercise its supreme spell, where the picturesque vagabondism of these
handsome Spanish rascals will be most striking. To this power add his
ability in colors and there is not a page but glows with effective
pictures. Character sketches enliven the volume. The commonplace
American abroad is introduced in Whetstone, a man of “iron persistence
and intense prejudice,” who continually exclaims “I don’t see what
I came to Spain for. If there ever was a God-forsaken country,” and
who amid the grandeur of the cathedral of Seville squints along the
cornice to see if it is straight. The writer has been ably assisted by
his “Velveteen,” alias Mr. C. S. Reinhart, whose pictures give doubled
value to the book. To all contemplating a trip to Spain the chapter on
“Hints to Travelers” will be valuable.
“Spanish Vistas” represents one class of books on travels. There is
another more interesting to the majority of people, in which facts
and adventures are the chief elements. Such a work is “The Golden
Chersonese,”[P] by Isabella Bird. After having traveled on horseback
through the interior of Japan, and braved the roughest passes of the
Rocky Mountains, and spent six months among the wonders of the Sandwich
Islands, this indefatigable woman penetrates that _terra incognita_,
the Malay Peninsula. The dangers and inconveniences which she undergoes
to get there and get through are remarkable. She sailed from Hong Kong
not long after a party of piratical Chinese, shipping as steerage
passengers on board a river steamer, had massacred the officers and
captured the boat. There was but one English passenger on board besides
herself, and some two thousand Chinese imprisoned in the steerage, an
iron grating over each exit, and an officer ready to shoot the first
man who attempted to force it. The decorations of the saloons consisted
of stands of loaded rifles and unsheathed bayonets. She penetrates the
country where the mosquitoes are a terror to life; snakes, land-leeches
and centipedes are everywhere, but the enthusiastic traveler mentions
them but casually. The dangers and bravery of the writer of course add
piquancy to the interesting description of the scenes, the customs and
peculiarities of “The Golden Chersonese.”
Public-domain text, read in full here on John Shaqi.
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