It will be observed, therefore, that Egyptian sculpture may be classed broadly into three styles. (1) the Egyptian proper, reaching its finest period in the reign of Amunothph III.; (2) the Ethiopic Egyptian; (3) the later Egyptian, leading to the decline of that style of sculpture. Of the first it should be noticed that the general proportions of the figure were more accurately considered than the relative proportions of hands and feet to the limbs, which are generally incorrect. There are, however, some examples of excellent proportion, as in a colossal arm and fist in the British Museum. This arm belonged to a statue of Thothmes III., and came from Memphis. It is about ten feet long. The fist also came from Memphis, and measures four feet across. The heads of statues of this period are of the pure Coptic type, with a nose somewhat aquiline, and the lips comparatively thin. The eyes, however, were always carved in full in profile representations; the feet, one in advance of the other on the same plane. The details of form at the knuckles and legs are well indicated. In the Ethiopic-Egyptian statues, general proportion is lost sight of; the figures become dumpy, being only six heads high; the limbs are clumsy and wanting in modeling; the hands and feet stiff and not marked by details at the joints; nor do they show the small bone of the leg. The heads are more of the Negro type, with turned-up noses and thick lips. In the later Egyptian it is remarkable that with more attempt to imitate nature in the modeling of the muscles, the forms of the trunk and limbs become unnaturally puffed. More is added in symbolic attributes; heads of the cat, the hawk, and the ape, are placed on the human body; the dress is more elaborate, that of the head especially, on which a disc for the sun was often placed, as on the god Osiris. From the fall of Thebes, about 1000 B. C., to the conquest of Egypt by the Persians, 523 B. C., sculpture became more and more degraded, and soon lost its original style of simplicity and grandeur of form. After some two centuries of rule, the Persians were conquered by Alexander the Great, 332 B. C., but there are no statues of Greek style of this date found in Egypt; under the Ptolemies, his successors for 300 years, new temples of inferior but still Egyptian style were built, such as those at Phile, Edfou, and Denderah, and many statues were made, but nearly all have been destroyed, and there is not one of any king or queen of the Ptolemies. After Egypt became a Roman province, in 38 B. C., Egyptian sculpture, in a debased form, was still continued upon the decoration of the temples, but the statues were then in the hands of Greek artists. Still later, there is the well-known statue of Antinous as an Egyptian, the work of a Greek sculptor of the time of the Emperor Hadrian (A. D. 117-138).