Allison says in his essay on Chateaubriand, published in _Blackwood’s Magazine_, March, 1832: “We feel in Scott’s characters that it is not romance, but real life which is represented. Every word that is said, especially in the Scotch novels, is nature itself. Homer, Cervantes, Shakspere, and Scott, alone have penetrated to the deep substratum of character, which, however disguised by the varieties of climate and government, is at bottom everywhere the same; and thence they have found a responsive echo in every human heart. He has carried romance out of the region of imagination and sensibility into the walks of actual life. He has combined historical accuracy and romantic adventure with the interest of tragic events; we live with the heroes, and princes, and paladins of former times, as with our own contemporaries; and acquire from the splendid coloring of his pencil such a vivid conception of the manners and pomp of the feudal ages, that we confound them, in our recollections, with the scenes which we ourselves have witnessed. The splendor of their tournaments, the magnificence of their dress, the glancing of their arms, their haughty manners, daring courage, and knightly courtesy; the shock of their battle-steeds, the splintering of their lances, the conflagration of their castles, are brought before our eyes in such vivid colors, that we are at once transported to the age of Richard and Saladin, of Charles the Bold and Philip Augustus.” The four novels, which deal with the history of the Crusades, are “Count Robert of Paris,” “The Betrothed,” “The Talisman,” and “Ivanhoe.” It is a singular fact that the one occupying the first place in chronological order was written last, and hardly completed by the author when he died. “Ivanhoe” is, without doubt, the great favorite. I have often thought that “Ivanhoe” bears the same relation to Scott’s novels that “The Merchant of Venice” does to the dramas of Shakspere. “Old Mortality,” and “Hamlet,” may show deeper insight; but neither Scott nor Shakspere ever surpassed the two I have associated in dramatic interest. The three novels which precede “Ivanhoe” in point of time will give us a complete knowledge of the times and manners of the Crusades, and lead us, as it were, from one picture-gallery to another, until we come to the master-piece of the great artist.