Next to the Brick is the Jewel or Martin Tower, where the crown jewels were formerly kept. They are now preserved in the Record Tower. On the wall of the Martin Tower we saw inscribed the name of Anne Boleyn. It is said that one of the unfortunate gentlemen who lost their heads on her account traced it there. Diagonally across the inner ward rises the Bell Tower, thus named from the alarm bell which crowned it. This was the prison of Princess Elizabeth during her enforced stay in the tower. Some little children used to bring her flowers here, until it came to the ears of Mary, who forbade this innocent service. Only a short walk from Bell loom up the frowning walls of Beauchamp Tower, than which there is no more interesting place in the entire enclosure. Its architecture is of the reign of John and Henry III. Its name is derived from Thomas De Beauchamp, Earl of Warwick, imprisoned here during the reign of Richard II. This tower is in the center of the western side of the inner ward, and in a half circle projects from the strong ballium walls, and is two stories in height. Its walls are covered with inscriptions made by different prisoners; some indicative of their mental agony during their captivity; many, indeed the most, expressing Christian fortitude and pious resignation to their hard lot. The first name noticed is that of Marmaduke Neville, near the entrance. He was one of the Nevilles, Earls of Westmoreland, and was implicated in a plot to place Mary Stuart upon the throne during Elizabeth’s reign. In the southern recess is shown an inscription in old Italian: “Dispoi che voie la fortuna che la mea speranza va al vento pianger, hovolio el tempo per dudo; e semper stel me tristo, e disconteto. Wilim: Tyrrel, 1541.” The mournful burden of which comes like a sigh of despair from out the past, “Since fortune hath chosen that my hope should go to the wind to complain, I wish the time were destroyed; my planet being ever sad and unfavorable.” Alas, unhappy one! Your words no doubt were but the echo of many sad hearts that found the times were indeed out of joint. Over the fireplace is a beautiful and touching inscription: “Quanto plus afflictionis pro Christo in hoc sæculo, tanto plus gloriæ cum Christo in futuro. Arundell, June 22, 1587,” which being interpreted is, “The more affliction for Christ in this world, the more glory with Christ in the next.”