P. 121.—“Swan’s Utterance.” Referring to the fable told of the swan, that it sings its sweetest song at death—“the sweetest song is the last he sings.” Thus in “Othello,” “I will play the swan and die in music.” P. 127.—The chapter on Æschylus may be supplemented by the following readings: “Theory of Greek Tragedy,” De Quincey; Müller, Mure, and Mahaffy on Æschylus, in their histories of Greek Literature; Talfourd’s “Tragic Poets of Greece,” from “History of Greek Literature;” Symond’s “Studies of the Greek Poets,” _Christian Examiner_, Vol. xliii, p. 140; _Contemporary Magazine_, Vol. iii, p. 351; _Biblia Sacra_, Vol. xvi, p. 354; _North American Review_, Vol. lxvii, p. 407. P. 129.—“Cyprid.” A poem, author unknown, called Cyprid or _Cypria_, “either because the author came from Cyprus, or because it celebrated the Cyprian goddess, Aphrodite, and detailed from the commencement her action in the Trojan war.… The poem was an introduction to the ‘Iliad,’ telling a vast number of myths and leading the reader from the first cause of the war up to the tenth year of its duration. It is easy to see that such a vast subject, loosely connected, must have failed to afford the artistic unity which underlies the course of the ‘Iliad.’” “Little Iliad.” A poem by Lesches, a Lesbian. It relates the complete story of the sack of Troy, from the contest of Achilles to the fall of Troy. The “Competition for the Arms,” we have had in the “Iliad.” “Philoctetes” was the chief archer of the Greeks, having been instructed by Hercules in the use of the bow. On the voyage to Troy he was bitten by a snake and left on the island of Lemnos. In the tenth year of the war the oracle declared the city could not be taken without the arrows of Hercules. Philoctetes was brought, and having slain Paris, the city was taken. “Neoptolemus,” a son of Achilles, was one of the warriors that the oracle declared necessary for the capture of Troy. He was one of the heroes concealed in the wooden horse. “Eurypylus” who came from Ormenion to Troy, played a prominent part in battle, slaying many Trojans; he was wounded by Paris. “Ulysses Mendicant,” the story of the wanderings of Ulysses. “Lacæna,” the Lacedæmonian woman, referring to Helen. “Illii-persis,” treats of the plundering of Troy after the capture, and “Apoplus,” of the sailing away of the ships. “Sinon.” After the wooden horse was finished, Sinon mutilated his body and allowed himself to be captured by the Trojans. He told them that he had been maltreated by his countrymen, and that if they (the Trojans) would drag the horse into the city they would conquer the Greeks. After the Trojans had followed his advice he let the Greeks out of the horse. “Troades,” the Trojans. P. 134.—“Trilogy.” A set of three dramas. Each one is in itself complete, but the three are related, one event following or growing out of another, as in Shakspere’s Henry VI.