The Chautauquan, Vol. 05, February 1885Chautauqua Literary and Scientific Circle
Philosophy
The Chautauquan, Vol. 05, February 1885
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
sewing, knitting, and embroidery, and comfortable camp chairs that can
be lightly lifted by the children and carried here and there about the
room. Let the chairs, in fact let everything be strong and comfortable
in this room. A heavy man is often put to great inconvenience because
the chairs at his disposal are too flimsy to bear his weight. There are
countless stories told of the Rev. Phillips Brooks, and men of his build,
who dare not laugh at a dinner party lest their chairs resolve themselves
into kindling wood at the first mirthful shake. In my own parlor there is
one chair deep, broad, and of marvelous strength, bought with an eye to
the needs of a friendly neighbor of grand dimensions. “This is a chair
that Mr. B. can’t break,” said the kindly donor who had witnessed the
collapsing of ordinary parlor chairs under his ponderous weight. Remember
that no chair should be expected to do service that has not connecting
rungs between the legs.
There should be, also, a lounge or sofa in this room, with ample pillow,
not a round horse-hair cylinder, but something useful, restful, and not
too fine. Let the color be as perfect as may be, but if the material
of which it is made be really too splendid for daily use, its glories
should be veiled behind a strong, washable tidy. I have seen a gray linen
square or towel, with drawn work at the ends, such as costs fifty cents,
perhaps, at the linen shops, with a few long-stemmed poppies bending
together in a row at one end, wrought in outline, with the familiar
legend, “We are all nodding, nid, nid, nodding,” running sleepily down
the center. That had just sentiment enough, and art enough for its place
and use. Tidies are mere clutter if not intended to be brushed against
and used. Paintings on blue satin, decked out with lace, are out of taste
in any room, however fine, and out of place on any chair. No chair should
be too daintily dressed out to be sat upon; and no painting should so
hang as to invite shoulders clad in black broadcloth to rub themselves
against it. “Tidies” or “chair backs,” if used at all, should be of a
firm material, not easily crumpled, should be firmly attached, should
give off little or no lint, and should be washed when they are soiled, or
thrown away. They are better when off the white.
There should be a wrap of some sort, afghan, Mexican or army blanket,
railway rug or shawl thrown over the foot of the sofa, with which to
cover up the invalid of the household, or any one who is tempted to
lounge awhile.
Other sitting room comforts, though not essentials, are a sewing table,
stand or basket with drawers or pockets attached, for the convenience of
needlewomen, a portable screen, two-leaved and not too large, that can
shut off draughts from rheumatic shoulders, and an occasional hassock or
footstool—“crickets” our grandmothers called them in New England.
Public-domain text, read in full here on John Shaqi.
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