The Chautauquan, Vol. 05, January 1885, No. 4Chautauqua Literary and Scientific Circle
Religion
The Chautauquan, Vol. 05, January 1885, No. 4
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
“Aim at a gold gown and you’ll get a sleeve,” says our grandmother’s
proverb; so our wise woman knows what is best and aims for it, but
contents herself with what she can get. For an American house, the best
flooring, generally speaking, would be—for a vestibule—tiles of small
pattern and modest color, such as yellow and brown, which would take no
injury from muddy overshoes or dripping umbrellas; for the rest of the
house hard wood floors (Southern pine is admirable), plain or very simply
inlaid. Elaborate patterns in inlaid woods should be avoided, except in
large rooms, and contrasts of colors, such as stripes of black walnut and
hard pine, which make a narrow hallway look yet narrower; but a modest
border might be inlaid around any room, hall, parlor, or bedroom with
good effect, if desired, with a substantial oriental rug in the midst of
it all. There can be nothing better than this.
But a cheap pine floor, if properly laid, can be stained and made to
do good service, instead of hard wood, and a strip of cocoanut matting
running the length of the hall is not to be despised; or, if cracks yawn
too perceptibly to have the floor bare, it can be covered with a plain,
self-colored drugget or carpet filling, or “two ply,” while a strip of
bright carpet passes from the doorway up the stairs, and enlivens the
hall. Or, simpler yet, the floor can be painted a serviceable yellow
or gray, and a width of rag carpet can add warmth and color. There are
pretty straw mattings in greens and reds and cream colors which, with
the aid of rugs, serve admirably for floor coverings, but they are
hardly durable enough for entry ways. Our wise woman bears in mind that
a well-laid, hard wood floor will outlast many a drugget, or carpet, or
coat of paint, or oil cloth, and she does up her hall floor, at first, in
as durable a fashion as her purse will allow.
There is a certain fitness of things also to be observed. Good taste
forbids her to step from an entry with stained or painted pine floor
and rag carpet to a parlor with inlaid floors and Persian rugs. The
rag carpet of the hall demands something correspondingly simple in the
reception room; a floor stained or painted in the same fashion, or a
straw matting, with perhaps a few breadths of “Morris” carpet, of warm
color and quiet figure, sewed together to make a rug, and raveled at the
ends for fringe.
As for walls, it is convenient to divide them with a chair rail or
moulding of the same stuff as that used for mop-boards and door casings,
fastened about four feet from the floor and running around the entry and
up the side wall of the stairway. The wall below this moulding can be
painted in oil a warm olive-brown or green, or a dull red, and, when so
painted, can be washed like the woodwork.
Public-domain text, read in full here on John Shaqi.
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