It is just a little to be feared that the painter added to the genius of the artist a modicum of the showman’s vanity, in support of which theory the following is quoted from the London _Morning Post_: “This valuable collection of portraits, landscapes, scenes from savage life, weapons, costumes, and an endless variety of illustrations of Indian life, real as well as pictorial, continues to attract crowds of spectators. We are happy to find our prediction fully borne out by fact, that the exhibition only required to be made known to the public to be fully appreciated. The most pleasing attention is paid by Mr. Catlin and his assistants to gratify the curiosity of visitors, to point out the peculiarities of the various subjects through which they wander, and to explain everything which strikes the eye and attracts the observer to inquire into its use or meaning. During our visit on Saturday the company were startled by a yell, and shortly afterward by the appearance of a stately chief of the Crow Indians stalking silently through the hall, armed to the teeth and painted to the temples, wrapped in a buffalo robe, on which all his battles were depicted, and wearing a tasteful coronet of war eagle’s quills. This personation was volunteered by a nephew of Mr. Catlin, who has seen the red man in his native wilds, and presents the most proud and picturesque similitude of the savage warrior that can be conceived. His war-whoop, his warlike appearance and dignified movements seem to impress the assemblage more strikingly with a feeling of the character of the North American Indian than all the other evidences which crowded the walls. Subsequently he appeared in another splendid costume worn by the braves of the Mandan tribe, also remarkable for its costly and magnificent head-dress, in which we see the ‘horns of power’ assume a conspicuous place. The crowds that gathered around him on each occasion were so dense that Mr. Catlin could scarcely find space to explain in full detail all the costumes; but we are glad to find he is preparing a central stage where all may enjoy a full and fair sight of ‘the Red Man,’ as he issues from his wigwam, clad in the peculiar robes and ornaments of his tribe, to fight, hunt, smoke, or join in the dances, festivals, and amusements of each nation.” This, of course, smacks a little of Buffalo Bill, but it pleased the Europeans amazingly. Mr. Catlin gave exhibitions in Waterloo rooms, Edinburgh; in the Louvre, at Paris, where Louis Philippe gave him ample space; and in many other European cities, occupying in all about eight years. During this time he published “Manners and Customs,” etc.; “The North American Portfolio;” “Eight Years’ Travels.” In 1861 he published a little work on “The Breath of Life,” certainly the funniest serious book we have ever read. In 1862 appeared “Last Rambles Among the Indians,” etc.