The Chautauquan, Vol. 05, March 1885Chautauqua Literary and Scientific Circle
Science
The Chautauquan, Vol. 05, March 1885
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
P. 197.—“Strophe.” In Greek tragedy, in its highest development, there
was a group of persons, composed of both sexes, who constituted the
chorus. When the actors paused the chorus sung or spoke, accompanied by
solemn music, moving from one side of the stage to the other. The time
of this movement was adapted to the stanzas, so that one, called the
strophe, was given as they passed in one direction, and the next, the
antistrophe, as they passed back.
“Daughter of Pelias.” Alcestis.
“Seven-chorded shell.” Tradition tells that the first lyre was made by
Mercury, out of the shell of a tortoise, which he caught a few hours
after his birth. Lyres were employed in recitations of epic poetry, and
consisted of a tortoise shell sounding bottom, from which arose two
horns, joined near the top by a transverse piece of wood, to which the
upper ends of the strings, usually seven in number, which were stretched
perpendicularly from the bottom, were fastened.
“Carnean feast.” One of the great national festivals of Sparta, held in
honor of Apollo, who had for a surname Carneus, which was derived by some
from Carnus, a son of Jupiter and Latona, and by others from Carnus, a
soothsayer.
P. 199.—“Lustral bath.” In their early history the only rite of
purification observed by the Greeks was that of ablution in water, but
afterward sacrifices and other ceremonies were added. These were used to
purify individuals, armies and states, and to secure the blessing of
the gods. The word lustral is derived from the Latin verb _lustro_ and
signifies to purify by means of propitiatory offerings.
P. 200.—“Othrys.” A range of mountains in Thessaly.
“Pythian’s sake.” Apollo’s sake.
P. 205.—The lines at the top of the page, spoken by Hercules, contain
the same sentiment that runs all through “Rubáiyát,” the poem written
by Omar Khayyám. Compare the extracts from this book given in the “Talk
About Books,” in THE CHAUTAUQUAN for February, 1885, with these stanzas.
To further show the similarity in thought, we select one stanza from the
poem:
“Waste not your hour, nor in the vain pursuit
Of this and that, endeavor and dispute;
Better be jocund with the fruitful grape
Than sadden after none, or bitter fruit.”
P. 206.—“Asclepian train,” as-cleˈpi-an. Train of physicians, who are
often called the descendants of Æsculapius, the god of the medical art.
P. 210.—“Gorgon.” A terrible winged woman, who dwelt with her two sisters
on the borders of Oceanus, the river that flowed around the ancient
world. She was beheaded by Perseus, who accomplished the perilous task by
the help of Hermes and Athena.
P. 211.—“Son of Sthenelus,” sthenˈe-lus. Euristheus, who assigned to
Hercules his twelve labors.
Public-domain text, read in full here on John Shaqi.
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