The Chautauquan, Vol. 05, March 1885Chautauqua Literary and Scientific Circle
Science
The Chautauquan, Vol. 05, March 1885
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
Not often are our social foibles “taken off” more pointedly than in “The
Buntling Ball.”[AF] It is a really clever, and withal sprightly, satire
on some of the vulnerable points of New York society. _Mrs. Buntling_,
wife of a “potentate in pork,” returning from Europe, issues invitations
for a ball. She has obtained a list of “all the names considered of
decisive note,” and, regardless of the fact that she knows none of them
issues a general invitation. The fact that everybody comes is one of
the sharpest points in the play. Choruses are introduced in true Greek
drama style, and the “Knickerbocker young men,” “maneuvering mammas,”
“wall-flowers,” “gossips,” “Anglo-maniacs,” etc., carry on dialogues with
the principal characters, in which they give the whole philosophy of New
York society, in the frankest manner and in all sorts of happy, sprightly
verse. The mystery of its authorship has been turned to good account by
the publishers, who offer a prize of $1,000 to the successful guesser.
Marion Harland, in writing “Eve’s Daughters,”[AG] has done a noble
work for women. The book must exert a good influence wherever it goes,
and do much toward breaking down the barrier of false modesty and
ignorance in regard to herself, that woman, too often, has taken pride in
rearing. It begins with the life of the baby girl and follows her as the
representative of her sex, through all the years down to old age. Strong,
plain, helpful things are said, and said only as a brave, womanly woman
can say them, in regard to the physical life of women. Every mother ought
to read the book, and read it with her daughters.
“Memories of the Manse”[AH] is a quiet little picture of the life, home,
family, and parish of a Scotch minister who lived, a number of years
ago, in Glenarran. The rugged outlines of the stern character belonging
to that northern people are well drawn, and dashes of color, showing
the tender and loving side of human nature, appear here and there,
brightening up the scene. The experience of the eldest son, who was “a
clever lad, and had just returned after working his way through college,
wearing a wonderfully clerical dress and air, an eye-glass, and a highly
comfortable opinion of himself,” only to find that he was ridiculed
instead of admired by his former associates, and his honest surprise at
his unpopularity furnish a touch of humor to the whole work.
Public-domain text, read in full here on John Shaqi.
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