The Chevalier's daughter : $b or, An exile for the truthGuernsey, Lucy Ellen
History
The Chevalier's daughter : $b or, An exile for the truth
Guernsey, Lucy Ellen
France -- History -- Louis XIV, 1643-1715 -- Juvenile fiction; Historical fiction; Huguenots -- France -- Juvenile fiction
I did indeed need such a refreshment, after my long ride. My mail was
already in the room, and it was with considerable satisfaction that I
arrayed myself in one of the new frocks which had been made for me in
London, and which, as I could not but be aware, set off to considerable
advantage my slender, erect figure. Then, very well satisfied with
myself, I went into my mother's room, where I found Jeanne, much
refreshed in mind and body, and disposed to regard her new home with
more favorable eyes. My mother was already dressed, and, seated in
a great chair covered with needlework flowers in faded silks, was
directing Jeanne in the unpacking of her mail and the disposition of
her clothes.
"You look well, my child," said she, holding out her hand to me. "Have
not the lines fallen to us in pleasant places? Even Jeanne admits that
the Cornish folk are Christian people, since, though they cannot speak
French, they know how to make cider."
"And very good cider too, madame," answered Jeanne; "and though I think
them not very polite to smile at the English which I learned so well to
speak in London, yet one must not expect too much of them, living as
they do at the very world's end. Why, they tell me, at least that old
sailor did, there is absolutely no land between the shore yonder and
that savage country of America. Do you think that can be true, madame?
It makes one almost afraid."
"It is quite true, my Jeanne; but I see no cause for fear," answered
my mother, smiling. "Some of our own people have settled in America,
and are prospering well. We have even relatives abiding there. My
husband and I have sometimes talked of the possibility of going thither
ourselves. Is not this a pretty place, my Vevette?"
"Yes, maman, very pretty, only—" and here I stopped; for something
choked me, and I felt a great disposition to cry.
"Only it is all strange and new, and my little one is overwrought,"
said my mother, kissing me. "I forget it is not a home-coming to you as
to me. Yet I hope you will try to be happy here," she added, regarding
me wistfully.
"Indeed I will, dear maman," I answered, making a great effort to
control myself, and succeeding pretty well. "I think the house is
beautiful, especially this room and my own; and only think, Mother
Jeanne, there is a bahut almost like yours, and my cousin Rosamond says
it came from the south of France. Perhaps it was made by the same man."
"That could hardly be, mamselle, for my great-grandfather made mine. He
was a skilful man, I have heard say, and made many beautiful pieces for
great houses."
"Then why not this one? Go and look at it," said I.
Jeanne obeyed, and soon came back in great excitement.
"It was—it really was made by my great-grandfather, madame!" she cried.
"There are the two doves pecketting on the top just the same, and the
very sign—the olive-leaf marked with a circle—which he used to put on
all his work. Is it not wonderful, madame? Is it not a good omen?"
Public-domain text, read in full here on John Shaqi.
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