In reading Shakspere we are never confused or weakened as between virtue and vice. In simply showing us this life as it is acted out by all kinds of people, he shows perpetually the beauty of courage, truth, tenderness, purity, and the ugliness of their opposites. Measure him at the most critical point, chastity. His plays have plenty of coarseness; they have touches, though very rarely, of voluptuous description; but they always leave us with the sense that purity is noble and impurity is evil. It is striking to note the tone in this respect of his successive productions. His youthful poem, "Venus and Adonis," is touched with the disease which had blighted the literature and the life of southern Europe,--the infection of the imagination by sensuality, a sort of intellectual putrescence. In the frank daylight of the early dramas this nightmare has disappeared, yet in the generally clean atmosphere there occurs sometimes a touch of depraved Italian manners, as in "All's Well that Ends Well," the deliberate seduction attempted by Bertram, bringing little discredit and no punishment. Later in the great plays the note of chastity is always clear and firm. In his women, purity is nobly depicted; in his men there appears no such attainment, but often a passionate abhorrence of vice. In only one play, "Antony and Cleopatra," it might superficially appear that there is a glorification of lawless love; but in the action of the story their lawlessness ruins Antony's and Cleopatra's fortunes; then, with the imminence of death, their passion, escaping from the thralldom of flesh, soars into a sublimation that redeems Antony's error and half transforms Cleopatra.