There is not unfrequent mention of some woman driven by religious
brooding to frenzy, sometimes to murder. The awful possibilities of hell
for herself and her children wrought the mother-heart to madness. The
religious guides of the people used unsparingly the appeal to fear. The
belief in witchcraft, which long had scourged Europe, broke out in a
panic of fear and cruelty. It was a tragic culmination of the worst
elements,--superstition, malignity, ministerial tyranny. Then came the
reaction, and with it a triumph of the wiser sense, the cooler temper,
the layman's moderation, which thenceforth were to guide the commonwealth
on a humbler but safer road.
In a dramatic sense the turning-point of the story--and the revelation of
the saving power at the heart of this grim people--was when, after the
witchcraft frenzy had subsided, Samuel Sewall, the chief justice of the
colony, rose in his place in the meeting-house and humbly confessed
before God and man that he had erred and shed innocent blood.
In the more prosaic temper of the next stage, a sturdy manhood sometimes
flashes into poetry. So John Wise, a minister but the leader of the
popular party in church government, strikes the high note of courage: "If
men are trusted with duty, they must trust that, and not events. If men
are placed at the helm to steer in all weather that blows, they must not
be afraid of the waves or a wet coat."
In personal religion there was from the outset the intense struggle for
an inward peace and joy, with tears and groanings,--the victory sometimes
found, sometimes missed. There was a resolute facing of what was held as
truth. The ministers and laymen battled with the problems of the
infinite. The issue after two centuries was an open break from Calvinism
in Channing, and the glad vision of Emerson.
A feature in the story is the New Englander's relation with Nature as he
found her,--first like a terrible power of destruction, by cold and
hunger; this he conquers by endurance. Then for generations he wrings a
hard livelihood out of her. Then by his wits he makes her serve him more
completely. At last her beauty is disclosed to him,--a beauty which has
its roots in the very struggles he has had, and the contrasts they
afford,--no child of the tropics loves Nature as he does.
So of the sea: first he dares it as explorer and voyager; then he makes
it his feeding-ground--catches the cod and chases the whale; in his ships
he does battle against pirate and public foe; he makes the deep the
highway of his commerce; and at last he feels its grandeur, into which
enters the reminiscence of all his combats.
Public-domain text, read in full here on John Shaqi.
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