The real place of David is that of the warrior-king who gave independence, unity, and victory to the people of Israel. It was he who broke the yoke of the Philistines which Saul had weakened, and slew in fight their gigantic champion. He conquered and subjected the neighboring tribes; he put down the rebellions headed by his own sons; he made and kept Israel for a brief term a proud and victorious military monarchy. Within a single generation after his death it was divided into two hostile fragments, and both of these gradually fell under foreign conquerors. Very short was the period of Israel's warlike glory, and for a thousand years afterward the national heart turned in love and reverence to the hero of that time. As the Saxons remembered Alfred, as Americans remember Washington, so the Israelites remembered David. It was in his image and under his name that they pictured a future which should outshine their past. Israel throughout the period when she is most distinctly before us was a subject people. It was largely the presence of a foreign oppressor which gave to the national voice that tone of intense entreaty toward a divine friend and deliverer which runs its pathos through psalm and history and prophecy. There had been a better day for Israel, before Assyrian and Egyptian trampled her. There had been a day when Philistia and Edom quailed and fell before her, and the Lord wrought victory by the hand of David. So it is David's history that stands out fullest and clearest in the whole record, from Abraham onward. How much is true history and how much is imaginative addition must be largely guesswork. But we see in David the ideal hero and type of that period of Jewish history as we see in Achilles and Odysseus the ideal types of primitive Greece. And the story of David is as deeply colored with the primal passions of humanity as are the songs of Homer. There is the picture of the shepherd-boy, to which must be added the exquisite psalm which later traditions put in his mouth; the victory over the giant; the most pathetic story of the moody and wayward Saul--the power of music over his melancholy, the alternations of jealous rage and compunction; the friendship with Jonathan, more tender and pure than the friendships Plato pictures; the dramatic fortunes of the outlaw; the family tragedies full of crime and horror; the dark story of Amnon, Tamar, and Absalom; the passion of fatherhood in fullest intensity, with the agonized prayers for the sick child and the heartbroken lament over Absalom; the group of valiant captains and their chivalrous exploits; the risk of life to bring to their homesick chief a drink from the well of Bethlehem; the story of Bathsheba and Uriah--lust, treachery, and murder; the prophet's rebuke; the years declining under heavy shadows. How full of lifeblood it all is! Every chapter is an idyl, an epic, or a tragedy.