It is largely this picturesque dramatic quality which made the English Bible in its early days the favorite book of the English people, and has kept for it always so high a place. But the attempt to reduce a story like David's to terms of spiritual edification has been difficult above measure, ever since mankind advanced beyond the half-barbaric age in which the story was told. Judged by our standards, the ethics of the story are often low, and its religion is largely a superstition. What brings the Almighty on the scene is most frequently some great calamity, which priest or soothsayer interprets as a divine judgment. Often there is attributed to him the quality of a jealous Oriental despot. The justice he enforces is often injustice and savagery. Take the story of the Gibeonites. A three years' famine in Israel was explained by Yahveh's oracle as a retribution for the breach of faith by Saul, many years before, with the Gibeonites, whom he had persecuted in defiance of ancient compact. David thereupon invited the Gibeonites to name the requital which would appease them, and they asked for the death of seven sons of Saul. So David delivered the seven innocent men into their hands, "and they hanged them before the Lord." The Zeus of Homer is offensive to religious feeling because he fully shares the sensuality which we account one of the great defects of humanity. From that blemish the Hebrew idea of God is always free. The hostility between Yahveh and the heathen gods has its deep ethical significance in the struggle of chastity against licentiousness, to which the religious sanction brings reinforcement. But the Hebrew God has a savage and vindictive quality, which only slowly and partially disappears. Originally, it is probable, the God of the sun and fire, beneficent to illumine, malevolent to burn, he remains always in some degree a God of wrath. It was by one of the strange growths of the advancing popular thought that David, the valiant, passionate soldier-king, came to be conceived of as the writer of the book of Psalms. Historically a misconception, it yet lent a continuity and ideal unity to the nation's self-interpretation. The book of Psalms, says Dean Stanley, is the selected hymns of the Jewish people, for a period as long as from Chaucer to Tennyson. The service-book of the Second Temple is Kuenen's description. Beyond any other single book, it shows us the heart of Judaism in its ripest, most characteristic development. Its language has become saturated with the associations of many centuries. In these intense, direct, and fervid utterances we can see the form and lineaments of a faith which was the ancestor of our own, yet is not the same.