Mr. Scudder has treated at considerable length the subject of "Childhood in Literature and Art" (350), dealing with it as found in Greek, Roman, Hebrew, Early Christian, English, French, German, American, literature, in mediæval art, and in Hans Christian Andersen's fairy tales. Of Greek the author observes: "There is scarcely a child's voice to be heard in the whole range of Greek poetic art. The conception is universally of the child, not as acting, far less as speaking, but as a passive member of the social order. It is not its individual so much as its related life which is contemplated." The silent presence of children in the rôles of the Greek drama is very impressive (350. 21). At Rome, though childhood is more of a "vital force" than in Greece, yet "it is not contemplated as a fine revelation of nature." Sometimes, in its brutal aspects, "children are reckoned as scarcely more than cubs," yet with refinement they "come to represent the more spiritual side of the family life." The folktale of Romulus and Remus and Catullus' picture of the young Torquatus represent these two poles (350. 32). The scant appearances of children in the Old Testament, the constant prominence given to the male succession, are followed later on by the promise which buds and flowers in the world-child Jesus, and the childhood which is the new-birth, the golden age of which Jewish seers and prophets had dreamt. In early Christianity, it would appear that, with the exception of the representation in art of the child, the infant Christ, "childhood as an image had largely faded out of art and literature" (350. 80). The Renaissance "turned its face toward childhood, and looked into that image for the profoundest realization of its hopes and dreams" (350. 102), and since then Christianity has followed that path. And the folk were walking in these various ages and among these different peoples humbly along the same road, which their geniuses travelled. Of the great modern writers and poets, the author notes especially Wordsworth, through whom the child was really born in our literature, the linker together of the child and the race; Rousseau, who told of childhood as "refuge from present evil, a mournful reminiscence of a lost Paradise, who (like St. Pierre) preached a return to nature, and left his own offspring to the tender mercy of a foundling asylum"; Luther, the great religious reformer, who was ever "a father among his children"; Goethe, who represents German intellectualism, yet a great child-artist; Froebel, the patron saint of the kindergarten; Hans Andersen, the "inventor" of fairy-tales, and the transformer of folk-stories, that rival the genuine, untouched, inedited article; Hawthorne, the child-artist of America. CHAPTER VIII. CHILDHOOD THE GOLDEN AGE. Heaven lies about us in our infancy.--_Wordsworth_. Die Kindheit ist ein Augenblick Gottes.--_Achim v. Arnim_.