"In Borneo albinos are objects of fear, as beings gifted with supernatural power; in Senegambia, if they are slaves, they are given their freedom, are exempted from all labour, and are cheerfully supported at others' expense. In Congo the king keeps them in his palace as 'fetiches which give him influence over the Europeans.' They are held in such respect that they may take whatever they will; and he who is deprived of his property by them, esteems himself honoured. In Loango they are esteemed above the Gangas (priests), and their hair is sold at a high price as a holy relic. Thus may a man become a fetich." At Moree, in West Africa, Ellis informs us, "Albinos are sacred to Aynfwa, and, on arriving at puberty, become her priests and priestesses. They are regarded by the people as the mouth-pieces of the goddess." At Coomassie a boy-prisoner was painted white and consecrated as a slave to the tutelary deity of the market (438. 49, 88). Coeval with their revival of primitive language-moulds in their slang, many of our college societies and sporting clubs and associations have revived the beliefs just mentioned in their mascots and luck-bringers--the other side of the shield showing the "Jonahs" and those fetiches of evil import. Even great actors, stock-brokers, and politicians have their mascots. We hear also of mascots of regiments and of ships. A little hunchback, a dwarf, a negro boy, an Italian singing-girl, a child dressed in a certain style or colour, all serve as mascots. Criminals and gamblers, those members of the community most nearly allied in thought and action with barbarous and primitive man, have their mascots, and it is from this source that we derive the word, which Andran, in his opera _La Mascotte_, has lifted to a somewhat higher plane, and now each family may have a mascot, a fetich, to cause them to prosper and succeed in life (390 (1888). 111, 112).