In not a few mythologies we meet with the infant god in the arms of its mother or of some other woman. Of the goddess of pity in the Celestial Empire we read: "The Chinese Lady of Mercy in her statues is invariably depicted as young, symmetrical, and beautiful. Sometimes she stands or sits alone. Sometimes she holds an infant god in her lap. Sometimes she holds one, while a second plays about her knee. Another favourite picture and statue represents her standing on the head of a great serpent, with a halo about her face and brows, and spirits encircling her. In the sixth, she stands upon a crescent, awaiting a bird approaching her from the skies. In a seventh, she stands smiling at a beautiful child on the back of a water-buffalo. In an eighth, she is weeping for the sins of either humanity or the female portion of it. She is the patron saint of all her sex, and intercedes for them at the great throne of Heaven. She is a very old divinity. The Chinese themselves claim that she was worshipped six thousand years ago, and that she was the first deity made known to mankind. The brave Jesuit missionaries found her there, and it matters not her age; she is a credit to herself and her sex, and aids in cheering the sorrowful and sombre lives of millions in the far East." We also find "the saintly infant Zen-zai, so often met with in the arms of female representations of the androgynous Kwanon." Mr. C. N. Scott, in his essay on the "Child-God in Art" (344), is hesitant to give to many mythologies any real child-worship or artistic concept of the child as god. Not even Rama and Krishna, or the Greek Eros, who had a sanctuary at Thespiae in Boeotia, are beautiful, sweet, naive child-pictures; much less even is Hercules, the infant, strangling the serpents, or Mercury running off with the oxen of Admetus, or bacchic Dionysus. In Egypt, in the eleventh, or twelfth dynasty, we do find a family of gods, the triad, father (Amun), mother (Maut), child (Khuns). Mr. Scott follows Ruskin in declaring that classic Greek art gives no real child-concept; nor does Gothic art up to the thirteenth century, when the influence of Christianity made itself felt, that influence which made art lavish its genius upon the Madonna and the Santo Bambino--the Virgin and the Christ-Child. CHAPTER XXVI. THE CHRIST-CHILD. The holy thing that is to be born shall be called the Son of God.--_Luke_ i. 35. There is born to you this day in the city of David a Saviour, which is anointed Lord.--_Luke_ ii. 11. Great little One! whose all-embracing birth Lifts Earth to Heaven, stoops Heaven to Earth.--_Richard Crashaw._ Our Babe, to show his Godhead true, Can in his swaddling hands control the damnèd crew.--_Milton._ The heart of Nature feels the touch of Love; And Angels sing: "The Child is King! See in his heart the life we live above."--_E. P. Gould._