Fantasy fiction; Near-death experiences -- Fiction; Religious fiction; Spiritual life -- Fiction
"A few come from universities," said Amroth, "but they are not as a rule
really learned men. They are more the sort of people who subscribe to
libraries, and belong to local literary societies, and go into a good
many subjects on their own account. But really learned men are almost
always more aware of their ignorance than of their knowledge, and
recognise the vitality of life, even if they do not always exhibit it.
But come, we are losing time, and we must go further afield."
XXII
We went some considerable distance, after leaving our intellectual
friends, through very beautiful wooded country, and as we went we talked
with much animation about the intellectual life and its dangers. It had
always, I confess, appeared to me a harmless life enough; not very
effective, perhaps, and possibly liable to encourage a man in a trivial
sort of self-conceit; but I had always looked upon that as an
instinctive kind of self-respect, which kept an intellectual person from
dwelling too sorely upon the sense of ineffectiveness; as an addiction
not more serious in its effects upon character than the practice of
playing golf, a thing in which a leisurely person might immerse himself,
and cultivate a decent sense of self-importance. But Amroth showed me
that the danger of it lay in the tendency to consider the intellect to
be the basis of all life and progress. "The intellectual man," he said,
"is inclined to confuse his own acute perception of the movement of
thought with the originating impulse of that movement. But of course
thought is a thing which ebbs and flows, like public opinion, according
to its own laws, and is not originated but only perceived by men of
intellectual ability. The danger of it is a particularly arid sort of
self-conceit. It is as if the Lady of Shalott were to suppose that she
created life by observing and rendering it in her magic web, whereas her
devotion to her task simply isolates her from the contact with other
minds and hearts, which is the one thing worth having. That is, of
course, the danger of the artist as well as of the philosopher. They
both stand aside from the throng, and are so much absorbed in the aspect
of thought and emotion that they do not realise that they are separated
from it. They are consequently spared, when they come here, the
punishment which falls upon those who have mixed greedily, selfishly,
and cruelly with life, of which you will have a sight before long. But
that place of punishment is not nearly so sad or depressing a place as
the paradise of delight, and the paradise of intellect, because the
sufferers have no desire to stay there, can repent and feel ashamed, and
therefore can suffer, which is always hopeful. But the artistic and
intellectual have really starved their capacity for suffering, the one
by treating all emotion as spectacular, and the other by treating it as
a puerile interruption to serious things. It takes people a long time to
Public-domain text, read in full here on John Shaqi.
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