The Child of the Moat: A Story for Girls. 1557 A.D.Stoughton Holborn, I. B. (Ian Bernard)
History
The Child of the Moat: A Story for Girls. 1557 A.D.
Stoughton Holborn, I. B. (Ian Bernard)
Adventure stories; Girls -- Juvenile fiction; Great Britain -- History -- Mary I, 1553-1558 -- Juvenile fiction
“What are we going to do when we reach Scotland?” Aline asked, when at
the last it appeared that immediate danger was passing. “Old Moll does
not seem to have been right this time,” she added.
“We cannot say yet, birdeen, there are many perils and difficulties
ahead, perhaps greater than we have yet passed. I wish I could shake
off the feeling of that woman. It is not that I believe any of her
prophecies. Of course they are all nonsense, but she is the very
incarnation of the spirit of evil, a continual oppressive reminder
of its presence in the world. There is no doubt, too, that she has a
snakelike inexplicable influence over people and puts evil suggestion
into their minds, just as some other people have exactly the opposite
power. To talk with Moll rouses one’s worst nature; to talk with some
rouses one’s best.” He looked at Aline and thought how wonderful
her power was. What was this power, mysteriously possessed by some
natures, that almost by their very presence they could change men’s
lives;--Aline and Moll might themselves be the warring spirits of good
and evil.
“My only object for the moment,” he said aloud, “was to rescue you
from your desperate danger. I thought that then we might have time to
think out something. There are difficulties indeed; the country is in a
very unsettled condition, partly the troubles with England, partly the
religious troubles and the difficulty with the regent, Mary of Guise,
and France. But our first trouble is,--that I have no money and people
with no money always find it hard to live,” and he smiled a rueful
smile.
“Neither have I,” said Aline, “at least not to live on. I have two gold
pieces with me.”
“Well, you are richer than I am,” he said playfully. “It will help us
somewhat, while I find something to set us going. I left a note, too,
with Wilfred for Walter Margrove, in case he should come within the
next few days, asking him to send Wilfred to Canonbie with a little
money at once for our present needs.”
“Wilfred,” said Aline, “is that Will Ackroyd?”
“Yes,” said Ian, “I have a story to tell you about how I met him, but
we must leave it for the present. I am very perplexed about this matter
of making a livelihood.” He paused a moment and then continued;--
“I might find work as a carpenter, or perhaps there will be more call
for a smith in these turbulent times. But I cannot think what to do
with you. Even if I found some people with whom you could live and
worked to keep you, there would be all kinds of questions as to where
you came from and all about you?”
“Then why not let me work with you as carpenter’s boy, like Will does
for Matthew Musgrave?”
“What! and spoil your beautiful hands. By the way, though,” he added,
“what have you been doing to get them in such a shocking condition? I
have noticed it all along but my mind has been so full of schemes and
plans for our escape, that I have not been able to talk about it.”
Public-domain text, read in full here on John Shaqi.
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