The Child of the Moat: A Story for Girls. 1557 A.D.Stoughton Holborn, I. B. (Ian Bernard)
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The Child of the Moat: A Story for Girls. 1557 A.D.
Stoughton Holborn, I. B. (Ian Bernard)
Adventure stories; Girls -- Juvenile fiction; Great Britain -- History -- Mary I, 1553-1558 -- Juvenile fiction
“Oh, yes, Shiona has some kind of a thing that will look better for
to-day. Run along with her and take Joan; it can be an apprentice
lesson for her.”
When Aline reached her room she was lost in amazement at the things
that had been prepared for her and was charmed with them all. Shiona
helped her to dress and Joan folded up the things she took off and put
them away.
The linen was of the very finest quality that French looms could
produce, smoother to the touch than anything she had ever worn, and
adorned with bands of _tela tirata_. There was a pair of the fine silk
hose that had recently been introduced into Britain, of a beautiful
blue, somewhat lighter than those she had lost, and with white clocks.
The broad toed shoes were of white kid, with blue satin showing through
the slashes, and a large real sapphire set in silver on each shoe.
The camise was of soft white silk rather full, smocked at the throat
and reaching below the knees, with two bands of lace insertion of the
finest Italian _punto a reticella_ near the hem. Above this Shiona put
on the armless surcoat, which was low at the neck and short, showing
the white camise both above and below as well as the arms, which were
full at the shoulder but tighter toward the wrist. This was decorated
round the open sides with orphreys or borders of cloth-of-silver
embroidered with white heather, the badge of the Menstries, in which
the little white blooms were real pearls.
The cloak was of rich blue velvet with two exquisitely designed diamond
clasps and tasselled cords of white silk, the whole lined with white
satin and adorned with a short cape and border of miniver. In the two
lower corners and again near the clasps, it was delicately embroidered
with coloured silk and gold and silver thread, after the fashion of
old Scandinavian work. A belt of large rectangular silver plates, each
with its own sculptured design, and a chatelaine of gold completed the
costume. It was a little old-fashioned in style, but Ian preferred the
lines of the earlier date to those that were coming into vogue.
Public-domain text, read in full here on John Shaqi.
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