In the Transition Classes and Junior School the furniture and apparatus can be to a great extent very much the same, their difference lying chiefly in degree. It is a pity to bring the age of toys to an abrupt conclusion; in real life the older children still borrow the toys of the younger ones while there are some definitely their own: such are, jigsaw and other puzzles, dominoes, articles for dramatic representation, playing cards, toys for games of physical skill, such as tops, kites, skipping ropes, etc. Such prepared constructive materials as meccano--and a great mass of raw material for construction, generally termed "waste." There should be a series of boxes or shelves where such waste products of the home, or of the woods, or of the seashore, or of the shop, might be stored in some classified order: the collective instinct is stronger than the more civilised habit of orderliness: here is an opportunity for developing a habit from an instinct. There should also be materials for expression, such as clay, paper, chalk, pencil, paints, weaving materials, cardboard, and scenery materials; and such tools as scissors, cardboard knives, needlework tools, paste brushes, and others that may be necessary and suitable. The rooms should be large and suitable for much moving about: the most usual conditions should be a scattered class and not a seated listening class. This means light chairs and tables or benches where handwork can be done; low cupboards and lockers so that each child can get at his own things; broad window-sills for plants and flowers and a bookcase for reading and picture books. Here again good picture-books are as essential as, even more essential than, readers in the Transition Class. They will be a little more advanced than in the Nursery School, and will be of the type of the Pied Piper illustrated, or pictures of children of other lands and times. Some of Rackham's, of Harold Copping's, of the publications by Black in _Peeps at Many Lands_, are suitable for this stage. Readers should be chosen for their literary value from the recognised children's classics, such as the Peter Rabbit type, _Alice in Wonderland, Water-Babies,_ and not made up for the sake of reading practice. The pictures on the walls should be hung at the right eye-level, and the windows low enough for looking at the outside world--whatever it may be. The teacher's desk should be in a corner, not in the central part of the room, for she must remember that the children are still in the main seeking experience, not listening to the experience of another. They should have access to the garden and playground, and all the incitements to activity should be there--similar to those of the Nursery School, or those provided by the London County Council in parks. The bare wilderness of playground now so familiar, where there is neither time nor opportunity for children to be other than primitive savages, does not represent the outside world of beauty and of adventure.