The Childhood of King Erik Menved: An Historical RomanceIngemann, Bernhard Severin
History
The Childhood of King Erik Menved: An Historical Romance
Ingemann, Bernhard Severin
Denmark -- History -- Erik Glipping, 1259-1286 -- Fiction; Denmark -- History -- Erik Menved, 1286-1319 -- Fiction
"King Erik Christopherson thanks you for the toast!" cried he, assuming
with fearful truthfulness the monarch's voice: "to you, and to all his
merry friends here, he sends a greeting."
So saying, he threw the large bone at the forehead of the young knight,
but it missed its aim, and struck Count Gerhard, who fell to the
ground, with the blood streaming from his left eye, which was laid open
by the blow.
All crowded around him, alarmed. During the commotion the duke regained
his senses: he cast an anxious look towards the end of the hall, where
the jester had stood; and as he no longer saw the threatening form of
royalty, he appeared entirely to recover his self-possession.
At the moment the accident happened to the count, the jester had cast
aside his parchment crown and purple mantle, and thrown himself, with
an exclamation of intense grief, over his wounded master; but Count
Gerhard quickly arose, holding his hand over his bleeding wound.
"Our untimely jest has cost me an eye," he said, with composure; "but
that is a matter of little consequence at present. If what we have
heard be true, the kingdom and our noble queen are in a critical
position. Haste, my lords, and stand by her with aid and counsel! As
soon as possible, I shall place myself at the service of the crown and
country."
Count Gerhard left the drinking-room to commit himself to the care of
his surgeon; and his guests instantly departed from Kiel Castle, and
hastily took the road to Scanderborg.
* * *
On the same evening the inmates of Möllerup were in a state of anxious
expectation, for the lord of the castle had departed eight days before
with a portion of the garrison. The gates were closed, and the
drawbridge was drawn up as usual. The four watchers stood on the tower,
and all was stillness in the strong, gloomy fortress.
In the women's apartment, as midnight approached, sat the tall, veiled
Fru Ingeborg, in her dark mourning dress, engaged in sewing a long
white linen garment. On the work-table before her, stood a lamp. The
little, restless Ulrica she had sent to bed; but the quiet Margarethé
sat by her side, industriously employed on the sacred picture, which
she worked with silk and threads of gold, and which was destined to
adorn a holy altar-cloth in the castle-chapel of Möllerup.
"I shall soon have it finished now, mother!" exclaimed the daughter.
"Look once more. The red shines beautifully in the light: to me it
seems as if the little angels smiled, and as if there really came a
radiance from the faces of the infant Jesus and the dear Mother of
God."
"Good, good, my pious child," replied the mother, patting her pale
cheek, and casting on the work a passing glance through her veil. "I,
too, shall soon be done," she added, with a suppressed sigh.
"But what is this long linen garment for, dear mother? It is neither a
table-cloth nor a sheet."
Public-domain text, read in full here on John Shaqi.
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